The Old Man of the Mountain, The Lovecharm and Pietro of Abano: Tales from the German of TieckTieck, Ludwig
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The Old Man of the Mountain, The Lovecharm and Pietro of Abano: Tales from the German of Tieck
Tieck, Ludwig
German fiction -- Translations into English
"Yes;" returned his busy mate, whose ugliness kept bustling to and fro
merrily and unweariably amid the vials, mirrors, human skeletons, and
all the other strange implements. The incense was now brought; a flame
blazed upon the altar; and the magician cautiously, almost with
trembling, took the great volume out of his most secret cabinet.
"Do we start now?" cried Beresynth.
"Silence!" answered the old man solemnly: "interrupt not these holy
proceedings by any profane or any useless words."
He read, at first in a low voice, then louder and more earnestly as he
paced with measured steps to and fro, and then again round in a
circle. After a while he paused and said: "Look out, how the heavens
are shaping themselves."
"Thick darkness," replied the servant on his return, "has enwrapt the
sky; the clouds are driving along; rain is beginning to drip."
"They favour me!" exclaimed the old man: "it must succeed."
He now knelt down, and murmuring his incantations often toucht the
ground with his forehead. His face was heated; his eyes sparkled. He
was heard to pronounce the holy names which it is forbidden to utter;
and after a long time he sent his servant out again to look at the
firmament. Meanwhile the onrush of the storm was heard; lightning and
thunder chased each other; and the house seemed to tremble to its
lowest foundations.
"Hearken to the tempest!" shouted Beresynth coming back hastily: "Hell
has risen up from below, and is raging with fire and fierce cracking
crashes of thunder; a whirlwind is raving through the midst of it; and
the earth is quaking with fear. Hold with your conjuring, lest the
spokes of the world splinter, and the rim that holds it together
burst."
"Fool! simpleton!" cried the magician: "have done with thy useless
prating! Tear back all the doors; throw the house door wide open."
The dwarf withdrew to perform his master's orders. Meanwhile Pietro
lighted the consecrated tapers; with a shudder he walkt up to the
great torch that stood upon the high candlestick; this too at last was
burning; then he threw himself on the ground and conjured louder and
louder. His eyes flasht; all his limbs shook and shrunk as in
convulsions; and a cold sweat of agony trickled from his brow.
With wild gestures, as if scared out of his senses, the dwarf rusht in
again, and leapt for safety within the circles. "The world is at the
last gasp," he shriekt, pale and with chattering teeth: "the storms
are rolling onward; but all beneath the voiceless night is dismay and
horrour; every living thing has fled into its closet, or crept beneath
the pillows of its bed to skulk away from its fears."
The old man lifted up a face of ghastly paleness from the floor, and
with wrencht and indistinguishable features screamed in sounds not his
own: "Be silent, wretch, and disturb not the work. Give heed, and keep
a fast hold on thy senses. The greatest things are still behind."
Public-domain text, read in full here on John Shaqi.
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