The Old Man of the Mountain, The Lovecharm and Pietro of Abano: Tales from the German of TieckTieck, Ludwig
General
The Old Man of the Mountain, The Lovecharm and Pietro of Abano: Tales from the German of Tieck
Tieck, Ludwig
German fiction -- Translations into English
With other young men of his own age he never mingled, excepting the
Spaniard Alfonso, to whom he was united by their equally enthusiastic
admiration of Pietro Abano. The Podesta Ambrosio had resigned his
office and left the city: he meant to spend the rest of his life at
Rome, for the sake of getting beyond the reach of his relations at
Venice. He had given up the thought of ever again finding the twin
daughter who had been stolen from him in her infancy; and his grief
had been embittered by Antonio's calling back this hope with such a
shock into his soul. He was convinced the young man had misled him and
himself been deceived by the fevered dreams of that night.
In the morning Pietro set off with his trusty servant. Antonio was
left alone in the large house, the rooms of which were all lockt up.
The night had past over him in sleeplessness. That terrific figure was
evermore standing before his eyes, which, greatly as it had appalled
him, had yet reawakened all his most delightful feelings. It was as
though all power of thinking had died away within him; visions which
he could not hold fast kept moving in ever-rolling circles before his
imagination. It was a frightful feeling to him, that he knew not what
to think of his venerated teacher, that he had a boding of lawless
mysteries, and of a horrour which since that look into the chamber
seemed to be awaiting him, to strip him of all optimism, and to
deliver him up to madness and despair.
The nightingale began singing before his window, and he saw that it
was blowing hard and raining. His fondness for the bird made him take
it in and set it atop of a high old wardrobe. He clambered up and was
leaning over to place the cage steadily, when the chain from which the
portrait of his beloved was hanging broke, and the picture slid to the
wall and down behind the old oak chest. The unhappy are terrified by
the veriest trifles. He got down hastily to seek for his darling
treasure. He stoopt down to the ground, but his search was vain; it
was not to be seen beneath the large heavy cabinet. Everything,
whether of great or little moment, in his life seemed to be
persecuting him as it were under some spell. He shoved at the old
piece of furniture and tried to push it out of its place; but it was
fastened to the wall. His impatience grew more vehement with every
hinderance. He seized an old iron bar which he found in the anteroom,
and laboured with all his strength to move the wardrobe; and at last,
after much heaving and wrenching and a hundred fruitless efforts, it
gave way with a loud cracking as if an iron cramp or chain had snapt.
The cabinet now by degrees came forward, and Antonio was at length
able to squeeze himself in between it and the wall. He immediately saw
his beloved portrait. It was lying upon the broad knob of a door,
which jutted out of the wall. He kist it, and turned the handle, which
yielded. A door opened; and he resolved to push the great wardrobe
Public-domain text, read in full here on John Shaqi.
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