The Old Man of the Mountain, The Lovecharm and Pietro of Abano: Tales from the German of TieckTieck, Ludwig
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The Old Man of the Mountain, The Lovecharm and Pietro of Abano: Tales from the German of Tieck
Tieck, Ludwig
German fiction -- Translations into English
"We see too," continued the dissertator, "what high importance nature
has attacht to these processes of devouring, eating, chewing, and
swallowing, and how in every sphere of existence they have been her
main end and aim. What would become of all the animals upon the earth,
of all the birds that roam through the air, and all the swarms of
greater and lesser creatures that people the waters and the sea,
unless every one of them had received a bill, payable at sight, upon
his neighbour. What would they live on, if they did not live on one
another? or where forsooth would they find room to live? Is not the
world perpetually oscillating between the two great works of producing
and of devouring? The king of the creation, man, stands at the summit,
as the crown and the final object of all these multiform guests. Those
his subalterns, who have an assignment either one upon the other, or
upon the vegetable world, look up to him with reverential awe: for it
is not merely one thing or another, not merely beasts or vegetables,
not merely fishes or birds, no, almost everything without exception
he turns into food, making all classes of his subjects the sources of
his happiness. It is only from his own kind, and from a few which
serve him as his immediate vassals, or the flesh of which, whether
from prejudice or in reality, does not taste agreeably, that he
abstains. By means of fire, that performs his bidding, out of strong
essences, butter, oil, and spices, vegetables and flesh, all artfully
mingled and chemically prepared, he concocts the most extraordinary
combinations to please his palate. While the eye is weeping at top,
and the brain above it is brooding over touching thoughts, or kindling
itself and the heart with inspiring ones, while the nose inhaling
hyacinthine odours awakens visions of sweet desire in the imagination,
the mouth below is already lusting and licking its lips after the
venison or the liver pasty that is carried by. The sentimental young
lady feeds her pigeons with pathetical grace; and the very mouth which
lisps the prettiest verses and most moving idyls to them, will swallow
the same innocent creatures by and by with exquisite relish. Could
animals make observations as we do, and were a poet some day to rise
up amongst them, in what strange colours would he represent man!"
"Truly," said his friend, "such a jest, thus retorted upon mankind,
would be extremely amusing."
Public-domain text, read in full here on John Shaqi.
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