The Old Man; or, Ravings and Ramblings round ConistoneGibson, Alexander Craig
History
The Old Man; or, Ravings and Ramblings round Conistone
Gibson, Alexander Craig
Coniston (Cumbria, England) -- Description and travel; Lake District (England) -- Description and travel
Pass by, not over, the bridge—a horse passing over it might remind
one of the famous asinine performer on the tight-rope—and you come
to the hamlet of Hallgarth, which has little to distinguish it from
a thousand others, save the rather uncomfortable peculiarity of not
being touched upon by the “blessed sun” for about three months in the
year. As you leave it by a steep acclivity, you had better take a
survey of Little Langdale which lies spread out at your feet. Rather
farther than midway between you and the abruptly rising range of hill
called Lingmoor, which divides this vale from its larger namesake,
lies Langdale Tarn, which bears out the Poet Laureate's assertion,
that “Tarns are often surrounded by an unsightly tract of boggy
ground.” The chief beauty of Little Langdale consists in the irregular
hillocky nature of its ground and the sites of its dwellings, many
of which nestle so cozily in little dells, behind rocky knolls, and
beneath umbrageous trees, as to convey a notion of the most attractive
snugness; but here I am heretic enough to dispute the infallibility
of the Poet Laureate’s taste. He has declared war against whitewash
in something like the following terms:—“The objections to white, as
a colour, in large spots or masses in landscapes, especially in a
mountainous country, are insurmountable”—and, quoting somebody who
[Sidenote: A WORD FOR WHITE HOUSES.] says “that white destroys the
gradations of distance,” he holds on thus—“Five or six white houses,
scattered over a valley, by their obtrusiveness, dot the surface, and
divide it into triangles, or other mathematical figures, haunting the
eye, and disturbing that repose which might otherwise be perfect.” By
the bye, a fair lady, whose opinion, in most matters of taste, I hold
in the deepest reverence, recently became a convert to this doctrine
of Mr Wordsworth, because she noticed the effect just instanced,
not when gazing upon a landscape, but when compiling patch work in
which fragments of white intruded amongst the blues, yellows, greens,
reds, and neutrals, woefully disturbed the harmony and repose of the
cushion cover or quilt. Mr Wordsworth says also, in support of his
anti-whitewashing theory, that “in nature, pure white is scarcely ever
found but in small objects, such as flowers; or in those which are
transitory, as the clouds, foam on rivers, and snow.” But I must remind
those who take for gospel every word that Mr Wordsworth preaches, that
the “White Cliffs of England,” the snows upon a thousand hills, and the
foam of a thousand cataracts are neither minute nor transitory; and
that large masses of white in nature, such as these, as well as white
clouds, and the terrible white of a stormy sea upon a rocky coast are
all calculated to excite sensations of the sublime and beautiful in
any bosom, whether the possessor be very much of a man of feeling and
imagination or the reverse. But coming back to cottages, with all due
Public-domain text, read in full here on John Shaqi.
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