English drama -- To 1500; Mysteries and miracle-plays, English
Master Harpham’s house appeared very grand to the children. It had a big
carved doorway leading to the shop, and the rooms above seemed to them
magnificently furnished, with their big oak chests, and their
high-backed chairs with leather seats, and the ornamented beams across
the ceiling. Mistress Harpham, a stout, rosy-faced dame, greeted them
very kindly, and called to her son to come and be introduced to his
little cousins.
“Giles is going to act!” she told them proudly. “But not yet. His turn
comes later. He is to be Isaac in the play of _Abraham’s Sacrifice_.”
Colin and Margery looked with awe and amazement upon their cousin. He
was a pretty boy of twelve, with fair hair hanging to his shoulders, and
a pale, delicate little face.
“Won’t you be frightened?” whispered Margery, gazing at him with
breathless interest.
“No; not very,” he said, laughing. “I have been in the plays before.
Last year I was an angel.”
“Take them to the window, Giles!” called his mother. “It’s time we were
in our seats. Little ones in the front; grown-ups at the back!”
The room was by this time full of townsfolk, invited by the glover and
his wife, and the first-floor windows, as well as the upper ones, were
crowded with people in holiday dresses; the women in snowy wimples, and
gowns of many colours; the men in tunics of russet brown or dull green.
Colin, Margery, and Giles sat on stools close to the window, and the
country children looked with interest at the scene before them. The
glover’s house was at the corner of the market-place, and the windows of
all the houses surrounding it were hung with gay cloths, and packed from
basement to roof with people.
Below, in the cobble-paved square, with a babel of noise and confusion,
the poorer folk crowded.
“There won’t be any room when the play _does_ come!” exclaimed Colin.
“The heralds will clear the way,” said Giles. “Last night it was such
fun to watch them! They rode through all the town reading the
proclamation. That’s a warning, you know, for every one to behave
properly to-day.”
“Oh, what did they say?” asked Margery, with interest.
“Well, they came to the market-place here, on horseback, with trumpets,
and one man shouted at the top of his voice. Let me see. What did he
say? I believe I can remember some of it. It was like this.... _Oyez.
We command, on the King’s behalf, and the Mayor and the Sheriffs of this
city, that no man go armed in this city with swords nor Carlisle axes,
nor none other defences in disturbance of the King’s peace and the play,
or hindering of the procession of Corpus Christi, and that they leave
their harness in their inns...._ I forget the words that came next, but
they meant that each guild was to act its play in proper order. And that
all manner of craftsmen who were responsible for a play should employ
‘good players well-arranged and openly speaking’ upon pain of a fine.
And all that sort of thing, you know.”
“I can’t think how you can remember it!” said Margery.
Public-domain text, read in full here on John Shaqi.
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