English drama -- To 1500; Mysteries and miracle-plays, English
“Oh, not so very long. We had about six rehearsals at the Town Hall. But
some of the people _were_ such a long time learning their parts!” said
Giles, sighing.
“It’s coming! it’s coming!” cried Colin; and every one turned eagerly to
the window.
Down below in the square there was a swaying amongst the crowd, and a
great murmur of expectation as at the corner of the market-place, a huge
object came into view, towering high above the heads of the people. It
was preceded by a body of young men, who pressed back the crowd with
clubs or with the flat sides of their swords, so as to clear the space
marked out by the banners.
“Who are all these people with clubs and swords?” inquired Colin
excitedly, while Margery’s eyes were fixed on the swaying blue canvas
that was approaching.
“They are the apprentices of the guild—the Tanners’ Guild, you
know”—Giles explained. “The apprentices of each guild have to keep the
crowd in order, and some of them have to drag the pageant along. Here
they come! That’s Master Smith pulling in front. We know him well. And
there’s Robin Coke next to him!”
The throng in the market-place was now well enough ordered for the
pageant to be clearly visible, and the children saw a big wooden stage
of two platforms, one above the other.
It ran upon huge wheels, and in front there were ropes, which were
passed round the waists of eight or ten men, who were pulling with all
their might.
On it came, jolting over the cobble-stones of the market-square till the
men ceased to pull, and the double platform stopped just in front of the
window at which the children sat.
The upper stage was just on a level with their eyes, and Margery clasped
her hands in delight.
“We’ve got the best place of all!” she whispered to her brother.
As yet the curtains of the upper platform were close drawn, and she had
time to look at the whole car before the play actually began.
The lower half, she noticed, was all covered in by brightly-coloured
painted cloths, so that nothing of the interior could be seen.
“That’s where the players dress,” Giles told her. “And there are
trap-doors and steps leading from it to the upper part, which is the
stage, you know. And——.”
But the curtains were now pulled aside, disclosing what seemed to the
children a grand and beautiful scene. A canopy, painted deep blue to
represent the sky, stretched above the head of an imposing figure seated
upon a gilt throne.
Those of you who have seen pictures of popes, can imagine the dress of
the player who represented Almighty God. He wore a mitre upon his head,
over hair that was made stiff with gold. His beard was also of stiff
gold, and his robes were magnificently embroidered and clasped with
jewels. In his hand he held a jewelled sceptre. The floor at his feet
was strewn with rushes, and at first there was nothing on the stage but
this stately figure, over-arched by the blue sky.
Public-domain text, read in full here on John Shaqi.
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