The Old Showmen and the Old London Fairs — John Shaqi
The Old Showmen and the Old London FairsFrost, Thomas
History
The Old Showmen and the Old London Fairs
Frost, Thomas
Fairs -- England -- London; London (England) -- Social life and customs
Banks quitted England for the Continent with his horse in 1608, and De
Melleray, who witnessed the performance of the animal in the Rue St.
Jacques, in Paris, says that Morocco could not only tell the number of
francs in a crown, but knew that the crown was depreciated at that time,
and knew the exact amount of the depreciation. From Paris, Banks travelled
with his learned horse to Orleans, where the fame which they had acquired
brought him under the imputation of being a sorcerer, and he had a narrow
escape of being burned at a stake in that character. Bishop Morton says
that he cleared himself by commanding his horse to "seek out one in the
press of the people who had a crucifix on his hat; which done, he bade him
kneel down unto it, and not this only, but also to rise up again, and to
kiss it. 'And now, gentlemen,' (quoth he), 'I think my horse hath
acquitted both me and himself;' and so his adversaries rested satisfied;
conceiving (as it might seem) that the devil had no power to come near the
cross."
We next hear of Banks and his horse at Frankfort-on-the-Maine, where
Bishop Morton saw them, and heard from the former the story of his narrow
escape at Orleans. Their further wanderings cannot be traced; and, though
it has been inferred, from a passage in a burlesque poem by Jonson, that
Banks was burned as a sorcerer, the grounds which the poet had for
assigning such a dreadful end for the famous horse-charmer are unknown,
and may have been no more than an imperfect recollection of what he had
heard of the Orleans story.
A hare which played the tabor is alluded to by Jonson in the comedy before
mentioned; and this performance also was not unknown to earlier times, one
of the illuminations copied by Strutt showing it to have been exhibited in
the fifteenth century. When Jonson wrote his comedy, the amusing classes,
encouraged by popular favour, were raising their heads again, after the
sore discouragement of the Vagrancy Act of Elizabeth's reign, which
scheduled jugglers and minstrels with strolling thieves, gipsy
fortune-tellers, and itinerant beggars. Elizabeth's tastes seem to have
inclined more to bull-baiting and bear-baiting than to dancing and
minstrelsy, juggling and tumbling; and, besides this, there was a broad
line drawn in those days, and even down to the reign of George III., as
will be hereafter noticed, between the upper ten thousand and the masses,
as to the amusements which might or ought to be permitted to the former
and denied to the latter.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account