The Old Testament in the Light of the Historical Records and Legends of Assyria and BabyloniaPinches, Theophilus G. (Theophilus Goldridge)
Religion
The Old Testament in the Light of the Historical Records and Legends of Assyria and Babylonia
Pinches, Theophilus G. (Theophilus Goldridge)
Bible. Old Testament -- Criticism, interpretation, etc.
The portion of Daniel referring to Nebuchadnezzar which receives the best
illustration from the inscriptions is that referred to after the relation
of his second dream, where he is represented as walking in or upon his
palace, and one may imagine that he had gone up to enjoy the view of the
city, and whilst doing so, with almost justifiable pride the words, “Is
not this great Babylon, which I have built for the royal dwelling-place,
by the might of my power and the glory of my majesty?” escaped him. From
his inscriptions (and they are fairly numerous) we learn, with regard to
Babylon, that it owed most of its glories as they then existed to this,
the greatest of its kings. That the king did not always distinguish
between what he built and what he rebuilt—indeed, none of his predecessors
seem to have done so either, a circumstance probably due to the poverty of
the Akkadian and Semitic Babylonian languages in that respect—would
explain the words attributed to him.
According to the great India-House inscription, which was carved by order
of Nebuchadnezzar, Nabopolassar had built (= rebuilt) the two great walls
of Babylon, called Imgur-Bêl and Nemitti-Bêl. He had dug the great
city-moat, and raised two strong walls on its banks, similar, in all
probability, to what other kings had done before him. To all appearance
also he lined the banks of the Euphrates with embankments (probably the
quays of which Herodotus speaks), and constructed, within the city, a road
leading from Du-azaga, “the holy seat,” where the oracles were declared,
to Aa-ibur-sabû, Babylon’s “festival-street,” close to the gate of Beltis,
for the yearly procession of the god Merodach.
[Plate XV.]
Bas-relief, supposed to represent the Hanging Gardens at Babylon, about
645 B.C. On the slope is a temple, a stele with the figure of a king, and
an altar on the path in front. On the right pointed arches support a
terrace planted with trees. Streams water the sides of the wooded hill.
British Museum, Assyrian Saloon, No. 92 (upper part). The above, with
Plate XIV., apparently illustrate Assur-bani-âpli’s campaign against his
brother Samas-sum-ukin (cf. page 391).
Public-domain text, read in full here on John Shaqi.
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