The Old Testament in the Light of the Historical Records and Legends of Assyria and BabyloniaPinches, Theophilus G. (Theophilus Goldridge)
Religion
The Old Testament in the Light of the Historical Records and Legends of Assyria and Babylonia
Pinches, Theophilus G. (Theophilus Goldridge)
Bible. Old Testament -- Criticism, interpretation, etc.
Naturally nothing concerning Nebuchadnezzar’s dreams occurs in the
inscriptions of Babylonia, though dreams which were regarded as having a
signification are sometimes recorded. This being the case, it might be
supposed that something upon the subject would in all probability be
sooner or later found. But what we should expect to find in the extant
inscriptions of Nebuchadnezzar is a reference to the golden image,
threescore cubits high and six cubits wide, which he is said to have set
up in the plain of Dura. Had he erected such an enormous thing, even if it
had been merely gilt, and not of solid gold, one would expect that he
would at least have made a slight reference to it. That he may have set up
images of his gods is not only possible, but probable—indeed, he must have
dedicated at least a few during his long reign, but it is evident that
none of them was of sufficient importance to cause him specially to refer
to it in his inscriptions. It is therefore not impossible that there is
some exaggeration in the dimensions of the figure referred to in Daniel.
There is also considerable uncertainty as to the position of the plain of
Dura, in the province of Babylon. The most probable explanation is that of
Prof. J. Oppert, the veteran Assyriologist, who found what appeared to be
the base of a great statue near a mound known as Dúair,(120) east of
Babylon. It is not improbable, however, that “the plain of Dura, in the
province of Babylon,” means simply an extensive open space near one of the
great fortifications (_dûru_) of the city. That all the principal
officials of the kingdom should be expected to come to the dedication of
such an image is exceedingly probable.
[Plate XIV.]
Bas-relief supposed to depict the triple wall of Babylon, with a portion
of the palace within. In the original, water flows at the base of the
lowest wall. The above is the upper part of slab No. 89 in the Assyrian
Saloon of the British Museum, and apparently illustrates Assur-bani-âpli’s
campaign against his brother, Samas-sum-ukin (Saosduchinos), King of
Babylon (cf. p. 391). (Two at least of the walls of Babylon were _much
older_ than the time of Nebuchadnezzar.)
Public-domain text, read in full here on John Shaqi.
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