But all men would not have the same opinion of the way in which the universe came into existence, and this would give rise, as really happened in Babylonia, to conflicting accounts or theories, the later ones less improbable than, and therefore superior to, the earlier. The earlier Creation-legend, being a sort of heroic poem, would remain popular with the common people, who always love stories of heroes and mighty conflicts, such as those in which the Babylonians and Assyrians to the latest times delighted, and of which the Semitic Babylonian Creation-story consists. As the ages passed by, and the newer theories grew up, the older popular ones would be elaborated, and new ideas from the later theories of the Creation would be incorporated, whilst, at the same time, mystical meanings would be given to the events recorded in the earlier legends to make them fit in with the newer ones. This having been done, the scribes could appeal at the same time to both ignorant and learned, explaining how the crude legends of the past were but a type of the doctrines put forward by the philosophers of later and more enlightened days, bringing within the range of the intellect of the unlearned all those things in which the more thoughtful spirits also believed. By this means an enlightened monotheism and the grossest polytheism could, and did, exist side by side, as well as clever and reasonable cosmologies along with the strangest and wildest legends. Thus it is that we have from the literature of two closely allied peoples, the Babylonians and the Hebrews, accounts of the Creation of the world so widely differing, and, at the same time, possessing, here and there, certain ideas in common—ideas darkly veiled in the old Babylonian story, but clearly expressed in the comparatively late Hebrew account. It must not be thought, however, that the above theory as to the origin of the Hebrew Creation-story interferes in any way with the doctrine of its inspiration. We are not bound to accept the opinion so generally held by theologians, that the days of creation referred to in Genesis i. probably indicate that each act of creation—each day—was revealed in seven successive dreams, in order, to the inspired writer of the book. The opinion held by other theologians, that “inspiration” simply means that the writer was moved by the Spirit of God to choose from documents already existing such portions as would serve for our enlightenment and instruction, adding, at the same time, such additions of his own as he was led to think to be needful, may be held to be a satisfactory definition of the term in question.