Domestic fiction; Sisters -- Fiction; Women -- England -- Fiction
They pressed their noses against the window of the show-room, and gazed
down into the Square as perpendicularly as the projecting front of the
shop would allow. The show-room was over the millinery and silken half
of the shop. Over the woollen and shirting half were the drawing-room
and the chief bedroom. When in quest of articles of coquetry, you
mounted from the shop by a curving stair, and your head gradually rose
level with a large apartment having a mahogany counter in front of the
window and along one side, yellow linoleum on the floor, many cardboard
boxes, a magnificent hinged cheval glass, and two chairs. The
window-sill being lower than the counter, there was a gulf between the
panes and the back of the counter, into which important articles such
as scissors, pencils, chalk, and artificial flowers were continually
disappearing: another proof of the architect's incompetence.
The girls could only press their noses against the window by kneeling
on the counter, and this they were doing. Constance's nose was snub,
but agreeably so. Sophia had a fine Roman nose; she was a beautiful
creature, beautiful and handsome at the same time. They were both of
them rather like racehorses, quivering with delicate, sensitive, and
luxuriant life; exquisite, enchanting proof of the circulation of the
blood; innocent, artful, roguish, prim, gushing, ignorant, and
miraculously wise. Their ages were sixteen and fifteen; it is an epoch
when, if one is frank, one must admit that one has nothing to learn:
one has learnt simply everything in the previous six months.
"There she goes!" exclaimed Sophia.
Public-domain text, read in full here on John Shaqi.
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