Domestic fiction; Sisters -- Fiction; Women -- England -- Fiction
She sat down and took from the bag a piece of loosely woven canvas, on
which she was embroidering a bunch of roses in coloured wools. The
canvas had once been stretched on a frame, but now, as the delicate
labour of the petals and leaves was done, and nothing remained to do
but the monotonous background, Constance was content to pin the stuff
to her knee. With the long needle and several skeins of mustard-tinted
wool, she bent over the canvas and resumed the filling-in of the tiny
squares. The whole design was in squares--the gradations of red and
greens, the curves of the smallest buds--all was contrived in squares,
with a result that mimicked a fragment of uncompromising Axminster
carpet. Still, the fine texture of the wool, the regular and rapid
grace of those fingers moving incessantly at back and front of the
canvas, the gentle sound of the wool as it passed through the holes,
and the intent, youthful earnestness of that lowered gaze, excused and
invested with charm an activity which, on artistic grounds, could not
possibly be justified. The canvas was destined to adorn a gilt
firescreen in the drawing-room, and also to form a birthday gift to
Mrs. Baines from her elder daughter. But whether the enterprise was as
secret from Mrs. Baines as Constance hoped, none save Mrs. Baines knew.
"Con," murmured Sophia, "you're too sickening sometimes."
"Well," said Constance, blandly, "it's no use pretending that this
hasn't got to be finished before we go back to school, because it has."
Sophia wandered about, a prey ripe for the Evil One. "Oh," she
exclaimed joyously--even ecstatically--looking behind the cheval glass,
"here's mother's new skirt! Miss Dunn's been putting the gimp on it!
Oh, mother, what a proud thing you will be!" Constance heard swishings
behind the glass. "What are you doing, Sophia?"
"Nothing."
"You surely aren't putting that skirt on?"
"Why not?"
"You'll catch it finely, I can tell you!"
Without further defence, Sophia sprang out from behind the immense
glass. She had already shed a notable part of her own costume, and the
flush of mischief was in her face. She ran across to the other side of
the room and examined carefully a large coloured print that was affixed
to the wall.
Public-domain text, read in full here on John Shaqi.
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