Domestic fiction; Sisters -- Fiction; Women -- England -- Fiction
So that naturally Sophia, infected with the pride of her period, had no
misgivings whatever concerning the final elegance of the princesses.
She studied them as the fifteen apostles of the ne plus ultra; then,
having taken some flowers and plumes out of a box, amid warnings from
Constance, she retreated behind the glass, and presently emerged as a
great lady in the style of the princesses. Her mother's tremendous new
gown ballooned about her in all its fantastic richness and
expensiveness. And with the gown she had put on her mother's
importance--that mien of assured authority, of capacity tested in many
a crisis, which characterized Mrs. Baines, and which Mrs. Baines seemed
to impart to her dresses even before she had regularly worn them. For
it was a fact that Mrs. Baines's empty garments inspired respect, as
though some essence had escaped from her and remained in them.
"Sophia!"
Constance stayed her needle, and, without lifting her head, gazed, with
eyes raised from the wool-work, motionless at the posturing figure of
her sister. It was sacrilege that she was witnessing, a prodigious
irreverence. She was conscious of an expectation that punishment would
instantly fall on this daring, impious child. But she, who never felt
these mad, amazing impulses, could nevertheless only smile fearfully.
"Sophia!" she breathed, with an intensity of alarm that merged into
condoning admiration. "Whatever will you do next?"
Sophia's lovely flushed face crowned the extraordinary structure like a
blossom, scarcely controlling its laughter. She was as tall as her
mother, and as imperious, as crested, and proud; and in spite of the
pigtail, the girlish semi-circular comb, and the loose foal-like limbs,
she could support as well as her mother the majesty of the
gimp-embroidered dress. Her eyes sparkled with all the challenges of
the untried virgin as she minced about the showroom. Abounding life
inspired her movements. The confident and fierce joy of youth shone on
her brow. "What thing on earth equals me?" she seemed to demand with
enchanting and yet ruthless arrogance. She was the daughter of a
respected, bedridden draper in an insignificant town, lost in the
central labyrinth of England, if you like; yet what manner of man,
confronted with her, would or could have denied her naive claim to
dominion? She stood, in her mother's hoops, for the desire of the
world. And in the innocence of her soul she knew it! The heart of a
young girl mysteriously speaks and tells her of her power long ere she
can use her power. If she can find nothing else to subdue, you may
catch her in the early years subduing a gate-post or drawing homage
from an empty chair. Sophia's experimental victim was Constance, with
suspended needle and soft glance that shot out from the lowered face.
Public-domain text, read in full here on John Shaqi.
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