Domestic fiction; Sisters -- Fiction; Women -- England -- Fiction
What continually impressed Sophia as strange, in the behaviour not only
of Gerald but of Chirac and other people with whom she came into
contact, was its quality of casualness. She had all her life been
accustomed to see enterprises, even minor ones, well pondered and then
carefully schemed beforehand. In St. Luke's Square there was always, in
every head, a sort of time-table of existence prepared at least one
week in advance. But in Gerald's world nothing was prearranged.
Elaborate affairs were decided in a moment and undertaken with
extraordinary lightness. Thus the excursion to Auxerre! During lunch
scarcely a word was said as to it; the conversation, in English for
Sophia's advantage, turning, as usual under such circumstances, upon
the difficulty of languages and the differences between countries.
Nobody would have guessed that any member of the party had any
preoccupation whatever for the rest of the day. The meal was delightful
to Sophia; not merely did she find Chirac comfortingly kind and
sincere, but Gerald was restored to the perfection of his charm and his
good humour. Then suddenly, in the midst of coffee, the question of
trains loomed up like a swift crisis. In five minutes Chirac had
departed--whether to his office or his home Sophia did not understand,
and within a quarter of an hour she and Gerald were driving rapidly to
the Gare de Lyon, Gerald stuffing into his pocket a large envelope full
of papers which he had received by registered post. They caught the
train by about a minute, and Chirac by a few seconds. Yet neither he
nor Gerald seemed to envisage the risk of inconvenience and annoyance
which they had incurred and escaped. Chirac chattered through the
window with another journalist in the next compartment. When she had
leisure to examine him, Sophia saw that he must have called at his home
to put on old clothes. Everybody except herself and Gerald seemed to
travel in his oldest clothes.
Public-domain text, read in full here on John Shaqi.
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