Domestic fiction; Sisters -- Fiction; Women -- England -- Fiction
On the morning after Sophia's first essay in dentistry, therefore, Mrs.
Baines was making her pastry in the underground kitchen. This kitchen,
Maggie's cavern-home, had the mystery of a church, and on dark days it
had the mystery of a crypt. The stone steps leading down to it from the
level of earth were quite unlighted. You felt for them with the feet of
faith, and when you arrived in the kitchen, the kitchen, by contrast,
seemed luminous and gay; the architect may have considered and intended
this effect of the staircase. The kitchen saw day through a wide,
shallow window whose top touched the ceiling and whose bottom had been
out of the girls' reach until long after they had begun to go to
school. Its panes were small, and about half of them were of the "knot"
kind, through which no object could be distinguished; the other half
were of a later date, and stood for the march of civilization. The view
from the window consisted of the vast plate-glass windows of the newly
built Sun vaults, and of passing legs and skirts. A strong wire grating
prevented any excess of illumination, and also protected the glass from
the caprices of wayfarers in King Street. Boys had a habit of stopping
to kick with their full strength at the grating.
Forget-me-nots on a brown field ornamented the walls of the kitchen.
Its ceiling was irregular and grimy, and a beam ran across it; in this
beam were two hooks; from these hooks had once depended the ropes of a
swing, much used by Constance and Sophia in the old days before they
were grown up. A large range stood out from the wall between the stairs
and the window. The rest of the furniture comprised a table--against
the wall opposite the range--a cupboard, and two Windsor chairs.
Opposite the foot of the steps was a doorway, without a door, leading
to two larders, dimmer even than the kitchen, vague retreats made
visible by whitewash, where bowls of milk, dishes of cold bones, and
remainders of fruit-pies, reposed on stillages; in the corner nearest
the kitchen was a great steen in which the bread was kept. Another
doorway on the other side of the kitchen led to the first coal-cellar,
where was also the slopstone and tap, and thence a tunnel took you to
the second coal-cellar, where coke and ashes were stored; the tunnel
proceeded to a distant, infinitesimal yard, and from the yard, by ways
behind Mr. Critchlow's shop, you could finally emerge, astonished, upon
Brougham Street. The sense of the vast-obscure of those regions which
began at the top of the kitchen steps and ended in black corners of
larders or abruptly in the common dailiness of Brougham Street, a sense
which Constance and Sophia had acquired in infancy, remained with them
almost unimpaired as they grew old.
Public-domain text, read in full here on John Shaqi.
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