Domestic fiction; Sisters -- Fiction; Women -- England -- Fiction
The tragedy in ten thousand acts of which that bedroom was the scene,
almost entirely escaped Sophia's perception, as it did Constance's.
Sophia went into the bedroom as though it were a mere bedroom, with its
majestic mahogany furniture, its crimson rep curtains (edged with
gold), and its white, heavily tasselled counterpane. She was aged four
when John Baines had suddenly been seized with giddiness on the steps
of his shop, and had fallen, and, without losing consciousness, had
been transformed from John Baines into a curious and pathetic survival
of John Baines. She had no notion of the thrill which ran through the
town on that night when it was known that John Baines had had a stroke,
and that his left arm and left leg and his right eyelid were paralyzed,
and that the active member of the Local Board, the orator, the
religious worker, the very life of the town's life, was permanently
done for. She had never heard of the crisis through which her mother,
assisted by Aunt Harriet, had passed, and out of which she had
triumphantly emerged. She was not yet old enough even to suspect it.
She possessed only the vaguest memory of her father before he had
finished with the world. She knew him simply as an organism on a bed,
whose left side was wasted, whose eyes were often inflamed, whose mouth
was crooked, who had no creases from the nose to the corners of the
mouth like other people, who experienced difficulty in eating because
the food would somehow get between his gums and his cheek, who slept a
great deal but was excessively fidgety while awake, who seemed to hear
what was said to him a long time after it was uttered, as if the sense
had to travel miles by labyrinthine passages to his brain, and who
talked very, very slowly in a weak, trembling voice.
And she had an image of that remote brain as something with a red spot
on it, for once Constance had said: "Mother, why did father have a
stroke?" and Mrs. Baines had replied: "It was a haemorrhage of the
brain, my dear, here"--putting a thimbled finger on a particular part
of Sophia's head.
Not merely had Constance and Sophia never really felt their father's
tragedy; Mrs. Baines herself had largely lost the sense of it--such is
the effect of use. Even the ruined organism only remembered fitfully
and partially that it had once been John Baines. And if Mrs. Baines had
not, by the habit of years, gradually built up a gigantic fiction that
the organism remained ever the supreme consultative head of the family;
if Mr. Critchlow had not obstinately continued to treat it as a crony,
the mass of living and dead nerves on the rich Victorian bedstead would
have been of no more account than some Aunt Maria in similar case.
These two persons, his wife and his friend, just managed to keep him
morally alive by indefatigably feeding his importance and his dignity.
The feat was a miracle of stubborn self-deceiving, splendidly blind
devotion, and incorrigible pride.
Public-domain text, read in full here on John Shaqi.
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