The Olivia Letters: Being Some History of Washington City for Forty Years as Told by the Letters of a Newspaper CorrespondentBriggs, Emily Edson
History
The Olivia Letters: Being Some History of Washington City for Forty Years as Told by the Letters of a Newspaper Correspondent
Briggs, Emily Edson
United States -- Politics and government -- 1865-1933; Washington (D.C.) -- History
A spectator standing on the western terrace of the Capitol sees an
innocent tract of land enclosed by a most costly fence. Broad avenues
and romantic walks disturb the monotony of the closely-shaven velvet
sward; while trees rare as oriental sandal wood have been brought
from every portion of the earth’s surface to adorn this domain of
republican royalty. Almost hidden by the fence and far removed
from the vulgar eyes of the common herd outside, the magnificent
Bartholdi fountain spurts its fair life away. Instead of putting
this exquisite fountain at the intersection of Pennsylvania avenue
and Seventh street, or even at the foot of the Capitol, now turned
into a graveyard by the mouldy genius of Admiral Porter, it has
been smuggled into the low grounds of the Botanic Gardens for the
exclusive use of romantic Congressmen who, when wandering slowly
with women who incline to be fast, turn their modest faces toward
the genius of Bartholdi in the hope that the soothing play of the
immortal fountain will at once arrest any demonstration not of the
straight-laced kind. To the rear the greenhouses assert themselves
with a grandeur of architectural beauty which the Government funds
alone can bestow. To get a foretaste of Paradise, or to recall the
glory of the Garden of Eden, it is only necessary to wander through
the mazes of lovers’ paths with which the Congressional greenhouses
are profusely intersected. From the foot of the most northern crag
kissed by the fiery aurora borealis to the molten girdle that clasps
Africa’s burning waist the vegetable glory of the earth has been
wrested to minister to Congressional comfort. In the pursuit the
trackless sea has been plowed alike by war vessels and merchantmen.
The most interesting spot connected with the greenhouses is the
“propagating garden,” where all sorts of curious experiments are
tried. Not content to let each flower produce after its own kind,
all sorts of horticultural black art is invoked to produce mongrel
types, which come from a curious propagating performance, which even
a Congressman cannot understand. Sometimes the gardener succeeds in
doubling the leaves of a single flower, to the loss of all sweetness
and perfume, just as we have seen the thing happen when the flowers
were human instead of vegetable. Striped roses and lilies are
obtained in place of the good, old-fashioned solid colors. To produce
these freaks, or to make old Mother Nature change her every-day
program, appropriations are made that would astonish the people,
considering the surroundings of most of the Congressmen before they
are born into official life.
Public-domain text, read in full here on John Shaqi.
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