The Olivia Letters: Being Some History of Washington City for Forty Years as Told by the Letters of a Newspaper CorrespondentBriggs, Emily Edson
History
The Olivia Letters: Being Some History of Washington City for Forty Years as Told by the Letters of a Newspaper Correspondent
Briggs, Emily Edson
United States -- Politics and government -- 1865-1933; Washington (D.C.) -- History
Upon the floor of the American Senate the majestic scenes of history
are again repeated. One man stands out from the multitude, pleading
the cause of myriads against the aggressive encroachment of a wicked
ruler. Every inch of available space in the vast chamber contains a
human being, and the silence of the grave prevails. Little by little,
blow after blow, as the sculptor chisels the marble, the orator is
building a monument--one which is to stand through the centuries,
long, long after lithe, supple John A. Bingham is only a handful of
dust. No link is missing in the chain; no dead sentiment clings to
his ideas; his perfect sentences are steeped at once in logic and
poetry. It is the handwriting on the wall in letters of living fire.
The orator closes. A momentary silence like that which precedes
the hurricane’s crash, and there arises from floor to ceiling such
confusion which even the vigorous blows of the Chief Justice’s gavel
are inadequate to suppress. It was like the voice of the gallant sea
captain commanding the elements to be still. Then Senator Grimes
comes to the rescue, and moves that the galleries be cleared. Senator
Cameron hopes that the galleries will not be cleared, and that
allowance will be made for the extraordinary occasion. Mr. Fessenden
and Mr. Reverdy Johnson call Mr. Cameron to order, whilst Mr.
Trumbull moves that not only the galleries be cleared, but that all
disorderly persons be arrested. At the same time the British minister
and others in the diplomatic inclosure are seen apparently contesting
their rights with the doorkeepers, whilst a flutter appears in the
reporter’s gallery similar to that noticed in a flock of blackbirds
when a handful of shot has been remorselessly distributed amongst
them. From his throne, which was only a plain, cane-seated chair,
Manager Bingham surveys the tumult. He who has sown the whirlwind
smilingly surveys the storm. He is weary and exhausted, and his cheek
has the pallor of the grave, but he feels that the applause was for
him. The uproar continues. At last the inexorable fiat is understood.
The galleries must be cleared upon the instant. So a surging tide
of humanity pours out of every open door. Little knots of people are
scattered here and there the whole length of the long corridors, all
talking about the one absorbing theme. Grand tableaux of excited
men are grouped in the rotunda, even the stairs have caught stray
whisps of surplus, standing humanity, all madly intoxicated with the
enthusiasm of the hour. The world never seems weary of Boswell’s talk
about Dr. Johnson; and with the same desire to please, let it be told
that Mr. Bingham was asked how he felt after the proudest triumph
of his life. Using his own words: “I don’t know how I feel; I only
know I have spoken enough to make thirty columns in the Congressional
Globe. God knows I have tried to do my duty; it is in the hands of
the Senate now. The great work of my life is done.”
Public-domain text, read in full here on John Shaqi.
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