The Olivia Letters: Being Some History of Washington City for Forty Years as Told by the Letters of a Newspaper CorrespondentBriggs, Emily Edson
History
The Olivia Letters: Being Some History of Washington City for Forty Years as Told by the Letters of a Newspaper Correspondent
Briggs, Emily Edson
United States -- Politics and government -- 1865-1933; Washington (D.C.) -- History
Day after day we see our neighbor, John A. Bingham, an unpretending
man of simple tastes, and whose mind is a storehouse of classic
culture. About the average height of his fellow-men, he is far more
slender and graceful, and though not handsome according to the
prescribed rules of beauty, yet like the High Court of Impeachment,
which is a law unto itself, he looks like John A. Bingham, and there
is nothing better by which he can be compared, estimated, or measured.
OLIVIA.
ANSON BURLINGAME.
HIS TRIUMPHANT CAPTURE OF THE INHABITANTS OF THE FLOWERY KINGDOM.
WASHINGTON, _June 20, 1868_.
A new and startling drama is performing on the world’s stage. The
Occident and the Orient are at last united. The oldest nation on the
face of the earth is shaking hands with the youngest. Gray-bearded
China, after being hermetically sealed during the long ages, opens
her arms to embrace Young America, and in the height of her good
humor includes the rest of the world. Another laurel is added to
the fame of America. A countryman of ours has shown what genius
and courage can accomplish in the great field of diplomacy. Anson
Burlingame has smitten the strongholds of China as Moses smote the
rock in the wilderness, and the sweet waters flow forth in Washington
in the shape of dozens of pig-tailed, almond-eyed, silken-clad
Orientals, who charm by their picturesqueness, and who leave the
gates of wonder standing ajar every day. To the eye of an ordinary
“barbarian” one Chinaman looks as much like another as two pins
from the same paper; but a very close inspection shows that the two
mandarins are made of a little finer clay than the “suite.” There
is just about the same difference as between their own exquisite
porcelain and the modern French china.
Owing to the fashionable shoes of their mother, the mandarins have
inherited feet made expressly for Cinderella’s slipper, whilst their
delicate taper fingers vie with any high-born damsel’s in the land.
They are exceedingly attractive, but the sentiment they inspire is as
strange as themselves. It isn’t the usual homage that woman gives
the opposite sex, and their fluttering silken skirts and fans help to
keep up all sorts of illusions. They have brought a miniature China
with them, in the shape of all that goes to sustain life--their own
servants, cooking utensils, favorite beverages, etc.
Public-domain text, read in full here on John Shaqi.
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