The One Woman: A Story of Modern UtopiaDixon, Thomas, Jr.
General
The One Woman: A Story of Modern Utopia
Dixon, Thomas, Jr.
Utopian fiction; Utopias -- Fiction
"Well, who cares? They've got to fight it out. It's in 'em. They're
full brothers, too. Hatched the same day. They never scrapped in
their lives till yesterday, when I brought a new pullet and put
her in the neighbouring yard. They both tried to make love to her
through the wire fence at the same time, and they were so busy
crowing and strutting and showing off to this pullet they ran
into each other and began to fight. Now one must die, and I'm just
fixing these little steel points on for them so the function can
be performed decently. I'm a man of fine feelings."
"You're a brute when you let them kill one another with gaffs."
"Nonsense. The fighting instinct is elemental in all animal
life--two-legged and four-legged. Animals fight as inevitably as
they breathe. You can trace the progress of man by the evolution
of his weapons--the stone, the spear, the bow and arrow, the sword,
the gun."
"Well, you're not going to have the fight this morning. Put up
those inventions of the devil and come into the house."
"All right. You're a parson; I'll not allow them to fight. I'll just
chop the head off of one and let you eat him for dinner." Overman
grinned, and pierced Gordon with his gleaming eye.
"It would be more sensible than the exhibition of brutality you
were preparing."
"Not from the rooster's point of view, or mine. I love chickens.
If I tried to eat one it would choke me. But I can see your mouth
watering now, looking at that fat young pullet over there, dreaming
of the dinner hour when you expect to smash her beautiful white
breast between your cannibal jaws. Funny men, preachers!"
Gordon laughed. "After all, you may be right. Our deepest culture
is about skin deep. Scratch any of us with the right tool and you'll
find a savage."
They strolled into the library and sat down. It was the largest and
best-furnished room in the house. Its lofty ceiling was frescoed in
sectional panels by a great artist. Its walls were covered as high
as the arm could reach with loaded bookshelves, and alcove doors
opened every ten feet into rooms stored with special treasures of
subjects on which he was interested. Masterpieces of painting hung
on the walls over the cases, while luxurious chairs and lounges
in heavy leather were scattered about the room among the tables,
desks and filing cabinets. At one end of the room blazed an open
wood fire of cord wood full four feet in length. Beside the chimney
windows opened with entrancing views of the Great South Bay and
the distant beaches of Fire Island. Across the huge oak mantel he
had carved the sentence:
"I AM AN OLD MAN NOW; I'VE HAD LOTS OF TROUBLE, AND MOST OF IT
NEVER HAPPENED."
"Frank, old boy, you look as though you had been pulled through a
small-sized auger hole yesterday. How is the work going?"
Public-domain text, read in full here on John Shaqi.
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