"Everything's all right. Just a little metal transformation," said Ben.
"Stick around, I'll get you some oil. You squeak." He was off down the
street in a clatter, leaving Murray with the newcomer.
"Permit me to introduce myself," he offered. "I am--or was--Murray Lee.
My friend, who has gone to get you some oil, is Benjamin Franklin Ruby.
He thinks the big comet which hit the earth contained radioactive gas
that made us all into metal. Did you live in a penthouse?"
She eyed him darkly. "Somebody told you," she said, "I'm Gloria
Rutherford, and we have the top floor of the Sherry-Netherland, but all
the rest were away when this happened.... Oh, pardon me, it hurts me to
talk."
There came a crash from down the street, indicating that Ben was forcing
another store, and in a minute he was back with a handful of bottles.
With a flourish he offered one to the girl. "Only castor, but it's the
best the market affords," he said. "What we need is a good garage, but
there aren't many around here.... Go ahead, drink her down, it's all
right," he assured the girl, who was contemplating the bottle in her
hand with an expression of distaste.
Following his own recommendation, he tipped up one of the bottles and
drank a deep draught, then calmly proceeded to douse himself from head
to foot with the remainder.
She made a little grimace, then tried it. "Thank you," she said, setting
the bottle down. "I didn't think it was possible anybody could like the
stuff except in a magazine ad. Now tell me, where are all the other
people and what do we do?"
"Do?" queried Ben. "Find 'em. How? Ask Mr. Foster. Anybody else in your
neck of the woods?"
She shook her head. Murray noticed that the joints of her neck rattled.
"Paulson--that's my maid--was the only other person in our apartment,
and she seems to be even more solid-iron in the head than usual--like
this lot." She swung her hand round in an expressive gesture toward the
image of a policeman which was directing two similar images to pause at
the curb.
"How about a bonfire?" suggested Murray. "That's the way the Indians or
South Africans or somebody, attract attention."
"What could we burn?" asked Ben. "... A building, of course. Why not?
Property doesn't mean anything any more with all the property owners
dead."
"I know," said Gloria Rutherford, falling into the spirit of his
suggestion. "The old Metropolitan Opera. That eyesore has worried me for
the last five years."
The suggestion was endorsed with enthusiasm. They climbed into the taxi
and twenty minutes later were hilariously kindling a blaze in the
back-stage section of the old building, running out of it with childish
delight to watch the pillar of smoke grow and spread as the flames
caught the timbers, long dry with age.
Public-domain text, read in full here on John Shaqi.
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