Country life; London (England) -- Description and travel; Natural history -- Outdoor books
Pure colour almost always gives the idea of fire, or rather it is
perhaps as if a light shone through as well as colour itself. The fresh
green blade of corn is like this, so pellucid, so clear and pure in its
green as to seem to shine with colour. It is not brilliant--not a
surface gleam or an enamel,--it is stained through. Beside the moist
clods the slender flags arise filled with the sweetness of the earth.
Out of the darkness under--that darkness which knows no day save when
the ploughshare opens its chinks--they have come to the light. To the
light they have brought a colour which will attract the sunbeams from
now till harvest. They fall more pleasantly on the corn, toned, as if
they mingled with it. Seldom do we realise that the world is
practically no thicker to us than the print of our footsteps on the
path. Upon that surface we walk and act our comedy of life, and what is
beneath is nothing to us. But it is out from that under-world, from the
dead and the unknown, from the cold moist ground, that these green
blades have sprung. Yonder a steam-plough pants up the hill, groaning
with its own strength, yet all that strength and might of wheels, and
piston, and chains, cannot drag from the earth one single blade like
these. Force cannot make it; it must grow--an easy word to speak or
write, in fact full of potency. It is this mystery of growth and life,
of beauty, and sweetness, and colour, starting forth from the clods
that gives the corn its power over me. Somehow I identify myself with
it; I live again as I see it. Year by year it is the same, and when I
see it I feel that I have once more entered on a new life. And I think
the spring, with its green corn, its violets, and hawthorn-leaves, and
increasing song, grows yearly dearer and more dear to this our ancient
earth. So many centuries have flown! Now it is the manner with all
natural things to gather as it were by smallest particles. The merest
grain of sand drifts unseen into a crevice, and by-and-by another;
after a while there is a heap; a century and it is a mound, and then
every one observes and comments on it. Time itself has gone on like
this; the years have accumulated, first in drifts, then in heaps, and
now a vast mound, to which the mountains are knolls, rises up and
overshadows us. Time lies heavy on the world. The old, old earth is
glad to turn from the cark and care of drifted centuries to the first
sweet blades of green.
Public-domain text, read in full here on John Shaqi.
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