Country life; London (England) -- Description and travel; Natural history -- Outdoor books
Sometimes a floating haze, now thicker here, and now lit up yonder by
the sunshine, brings out objects more distinctly than a clear
atmosphere. Away there tall thin masts stand out, rising straight up
above the red roofs. There is a faint colour on them; the yards are
dark--being inclined, they do not reflect the light at an angle to
reach us. Half-furled canvas droops in folds, now swelling a little as
the wind blows, now heavily sinking. One white sail is set and gleams
alone among the dusky folds; for the canvas at large is dark with
coal-dust, with smoke, with the grime that settles everywhere where men
labour with bare arms and chests. Still and quiet as trees the masts
rise into the hazy air; who would think, merely to look at them, of the
endless labour they mean? The labour to load, and the labour to unload;
the labour at sea, and the long hours of ploughing the waves by night;
the labour at the warehouses; the labour in the fields, the mines, the
mountains; the labour in the factories. Ever and again the sunshine
gleams now on this group of masts, now on that; for they stand in
groups as trees often grow, a thicket here and a thicket yonder. Labour
to obtain the material, labour to bring it hither, labour to force it
into shape--work without end. Masts are always dreamy to look at: they
speak a romance of the sea; of unknown lands; of distant forests aglow
with tropical colours and abounding with strange forms of life. In the
hearts of most of us there is always a desire for something beyond
experience. Hardly any of us but have thought, Some day I will go on a
long voyage; but the years go by, and still we have not sailed.
A WET NIGHT IN LONDON
Opaque from rain drawn in slant streaks by wind and speed across the
pane, the window of the railway carriage lets nothing be seen but stray
flashes of red lights--the signals rapidly passed. Wrapped in thick
overcoat, collar turned up to his ears, warm gloves on his hands, and a
rug across his knees, the traveller may well wonder how those red
signals and the points are worked out in the storms of wintry London,
Rain blown in gusts through the misty atmosphere, gas and smoke-laden,
deepens the darkness; the howl of the blast humming in the telegraph
wires, hurtling round the chimney-pots on a level with the line,
rushing up from the archways; steam from the engines, roar, and
whistle, shrieking brakes, and grinding wheels--how is the traffic
worked at night in safety over the inextricable windings of the iron
roads into the City?
Public-domain text, read in full here on John Shaqi.
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