Country life; London (England) -- Description and travel; Natural history -- Outdoor books
There was a hollow near in which hundreds of skeleton leaves had
settled, a stage on their journey from the alder copse, so thick as to
cover the thin grass, and at the side of the hollow a wasp's nest had
been torn out by a badger. On the soft and spreading sand thrown out
from his burrow the print of his foot looked as large as an elephant
might make. The wild animals of our fields are so small that the
badger's foot seemed foreign in its size, calling up thought of the
great game of distant forests. He was a bold badger to make his burrow
there in the open warren, unprotected by park walls or preserve laws,
where every one might see who chose. I never saw him by daylight: that
they do get about in daytime is, however, certain, for one was shot in
Surrey recently by sportsmen; they say he weighed forty pounds.
In the mind all things are written in pictures--there is no
alphabetical combination of letters and words; all things are pictures
and symbols. The bird's-foot lotus is the picture to me of sunshine and
summer, and of that summer in the heart which is known only in youth,
and then not alone. No words could write that feeling: the bird's-foot
lotus writes it.
When the efforts to photograph began, the difficulty was to fix the
scene thrown by the lens upon the plate. There the view appeared
perfect to the least of details, worked out by the sun, and made as
complete in miniature as that he shone upon in nature. But it faded
like the shadows as the summer sun declines. Have you watched them in
the fields among the flowers?--the deep strong mark of the noonday
shadow of a tree such as the pen makes drawn heavily on the paper;
gradually it loses its darkness and becomes paler and thinner at the
edge as it lengthens and spreads, till shadow and grass mingle
together. Image after image faded from the plates, no more to be fixed
than the reflection in water of the trees by the shore. Memory, like
the sun, paints to me bright pictures of the golden summer time of
lotus; I can see them, but how shall I fix them for you? By no process
can that be accomplished. It is like a story that cannot be told
because he who knows it is tongue-tied and dumb. Motions of hands,
wavings and gestures, rudely convey the framework, but the finish is
not there.
Public-domain text, read in full here on John Shaqi.
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