Country life; London (England) -- Description and travel; Natural history -- Outdoor books
A little feather droops downwards to the ground--a swallow's feather
fuller of miracle than the Pentateuch--how shall that feather be placed
again in the breast where it grew? Nothing twice. Time changes the
places that knew us, and if we go back in after years, still even then
it is not the old spot; the gate swings differently, new thatch has
been put on the old gables, the road has been widened, and the sward
the driven sheep lingered on is gone. Who dares to think then? For
faces fade as flowers, and there is no consolation. So now I am sure I
was right in always walking the same way by the starry flowers striving
upwards on a slender ancestry of stem; I would follow the plain old
road to-day if I could. Let change be far from me; that irresistible
change must come is bitter indeed. Give me the old road, the same
flowers--they were only stitchwort--the old succession of days and
garland, ever weaving into it fresh wild-flowers from far and near.
Fetch them from distant mountains, discover them on decaying walls, in
unsuspected corners; though never seen before, still they are the same:
there has been a place in the heart waiting for them.
SUNNY BRIGHTON
Some of the old streets opening out of the King's Road look very
pleasant on a sunny day. They ran to the north, so that the sun over
the sea shines nearly straight up them, and at the farther end, where
the houses close in on higher ground, the deep blue sky descends to the
rooftrees. The old red tiles, the red chimneys, the green jalousies,
give some colour; and beneath there are shadowy corners and archways.
They are not too wide to whisper across, for it is curious that to be
interesting a street must be narrow, and the pavements are but two or
three bricks broad. These pavements are not for the advantage of foot
passengers; they are merely to prevent cart-wheels from grating against
the houses. There is nothing ancient or carved in these streets, they
are but moderately old, yet turning from the illuminated sea it is
pleasant to glance up them as you pass, in their stillness and shadow,
lying outside the inconsiderate throng walking to and fro, and
contrasting in their irregularity with the set facades of the front.
Opposite, across the King's Road, the mastheads of the fishing boats on
the beach just rise above the rails of the cliff, tipped with
fluttering pennants, or fish-shaped vanes changing to the wind. They
have a pulley at the end of a curved piece of iron for hauling up the
lantern to the top of the mast when trawling; this thin curve, with a
dot at the extremity surmounting the straight and rigid mast, suits the
artist's pencil. The gold-plate shop--there is a bust of Psyche in the
doorway--often attracts the eye in passing; gold and silver plate in
large masses is striking, and it is a very good place to stand a minute
and watch the passers-by.
Public-domain text, read in full here on John Shaqi.
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