Country life; London (England) -- Description and travel; Natural history -- Outdoor books
Watching these wasps I found two cocoons of pale yellow silk on a
branch of larch, and by them a green spider. He was quite green--two
shades, lightest on the back, but little lighter than the green larch
bough. An ant had climbed up a pine and over to the extreme end of a
bough; she seemed slow and stupefied in her motions, as if she had
drunken of the turpentine and had lost her intelligence. The soft cones
of the larch could be easily cut down the centre with a penknife,
showing the structure of the cone and the seeds inside each scale. It
is for these seeds that birds frequent the fir copses, shearing off the
scales with their beaks. One larch cone had still the tuft at the
top--a pineapple in miniature. The loudest sound in the wood was the
humming in the trees; there was no wind, no sunshine; a summer day,
still and shadowy, under large clouds high up. To this low humming the
sense of hearing soon became accustomed, and it served but to render
the silence deeper. In time, as I sat waiting and listening, there came
the faintest far-off song of a bird away in the trees; the merest thin
upstroke of sound, slight in structure, the echo of the strong spring
singing. This was the summer repetition, dying away. A willow-wren
still remembered his love, and whispered about it to the silent fir
tops, as in after days we turn over the pages of letters, withered as
leaves, and sigh. So gentle, so low, so tender a song the willow-wren
sang that it could scarce be known as the voice of a bird, but was like
that of some yet more delicate creature with the heart of a woman.
A butterfly with folded wings clung to a stalk of grass; upon the under
side of his wing thus exposed there were buff spots, and dark dots and
streaks drawn on the finest ground of pearl-grey, through which there
came a tint of blue; there was a blue, too, shut up between the wings,
visible at the edges. The spots, and dots, and streaks were not exactly
the same on each wing; at first sight they appeared similar, but, on
comparing one with the other, differences could be traced. The pattern
was not mechanical; it was hand-painted by Nature, and the painter's
eye and fingers varied in their work.
Public-domain text, read in full here on John Shaqi.
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