Red and yellow fungi mark decaying places on the trunks and branches of the trees; their colour is brightest when the boughs are bare. By a streamlet wandering into the osier beds the winter gnats dance in the sunshine, round about an old post covered with ivy, on which green berries are thick. The warm sunshine gladdens the hearts of the moorhens floating on the water yonder by the bushes, and their singular note, "coorg-coorg," is uttered at intervals. In the plantation close to the house a fox resides as safe as King Louis in "Quentin Durward," surrounded with his guards and archers and fortified towers, though tokens of his midnight rambles, in the shape of bones, strew the front of his castle. He crosses the lawn in sight of the windows occasionally, as if he really knew and understood that his life is absolutely safe at ordinary times, and that he need beware of nothing but the hounds. THE BATHING SEASON Most people who go on the West Pier at Brighton walk at once straight to the farthest part. This is the order and custom of pier promenading; you are to stalk along the deck till you reach the end, and there go round and round the band in a circle like a horse tethered to an iron pin, or else sit down and admire those who do go round and round. No one looks back at the gradually extending beach and the fine curve of the shore. No one lingers where the surf breaks--immediately above it--listening to the remorseful sigh of the dying wave as it sobs back to the sea. There, looking downwards, the white edge of the surf recedes in hollow crescents, curve after curve for a mile or more, one succeeding before the first can disappear and be replaced by a fresh wave. A faint mistiness hangs above the beach at some distance, formed of the salt particles dashed into the air and suspended. At night, if the tide chances to be up, the white surf rushing in and returning immediately beneath has a strange effect, especially in its pitiless regularity. If one wave seems to break a little higher it is only in appearance, and because you have not watched long enough. In a certain number of times another will break there again; presently one will encroach the merest trifle; after a while another encroaches again, and the apparent irregularity is really sternly regular. The free wave has no liberty--it does not act for itself,--no real generous wildness. "Thus far and no farther," is not a merciful saying. Cold and dread and pitiless, the wave claims its due--it stretches its arms to the fullest length, and does not pause or hearken to the desire of any human heart. Hopeless to appeal to is the unseen force that sends the white surge underneath to darken the pebbles to a certain line. The wetted pebbles are darker than the dry; even in the dusk they are easily distinguished. Something merciless is there not in this conjunction of restriction and impetus? Something outside human hope and thought--indifferent--cold?