Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
The great Pullman was whirling onward with such dignity of motion
that a glance from the window seemed simply to prove that the plains
of Texas were pouring eastward. Vast flats of green grass, dull-hued
spaces of mesquit and cactus, little groups of frame houses, woods of
light and tender trees, all were sweeping into the east, sweeping over
the horizon, a precipice.
A newly-married pair had boarded this train at San Antonio. The man's
face was reddened from many days in the wind and sun, and a direct
result of his new black clothes was that his brick-coloured hands were
constantly performing in a most conscious fashion. From time to time
he looked down respectfully at his attire. He sat with a hand on each
knee, like a man waiting in a barber's shop. The glances he devoted to
other passengers were furtive and shy.
The bride was not pretty, nor was she very young. She wore a dress
of blue cashmere, with small reservations of velvet here and there,
and with steel buttons abounding. She continually twisted her head
to regard her puff-sleeves, very stiff, straight, and high. They
embarrassed her. It was quite apparent that she had cooked, and that
she expected to cook, dutifully. The blushes caused by the careless
scrutiny of some passengers as she had entered the car were strange
to see upon this plain, under-class countenance, which was drawn in
placid, almost emotionless lines.
They were evidently very happy. "Ever been in a parlour-car before?" he
asked, smiling with delight.
"No," she answered; "I never was. It's fine, ain't it?"
"Great. And then, after a while, we'll go forward to the diner, and get
a big lay-out. Finest meal in the world. Charge, a dollar."
"Oh, do they?" cried the bride. "Charge a dollar? Why, that's too
much--for us--ain't it, Jack?"
"Not this trip, anyhow," he answered bravely. "We're going to go the
whole thing."
Later, he explained to her about the train. "You see, it's a thousand
miles from one end of Texas to the other, and this train runs right
across it, and never stops but four times."
He had the pride of an owner. He pointed out to her the dazzling
fittings of the coach, and, in truth, her eyes opened wider as she
contemplated the sea-green figured velvet, the shining brass, silver,
and glass, the wood that gleamed as darkly brilliant as the surface
of a pool of oil. At one end a bronze figure sturdily held a support
for a separated chamber, and at convenient places on the ceiling were
frescoes in olive and silver.
Public-domain text, read in full here on John Shaqi.
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