Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
The voices had toned away to mere whisperings. The drummer wished to
ask further questions, which were born of an increasing anxiety and
bewilderment, but when he attempted them, the men merely looked at him
in irritation, and motioned him to remain silent. A tense waiting hush
was upon them. In the deep shadows of the room their eyes shone as
they listened for sounds from the street. One man made three gestures
at the bar-keeper, and the latter, moving like a ghost, handed him a
glass and a bottle. The man poured a full glass of whisky, and set down
the bottle noiselessly. He gulped the whisky in a swallow, and turned
again toward the door in immovable silence. The drummer saw that the
bar-keeper, without a sound, had taken a Winchester from beneath the
bar. Later, he saw this individual beckoning to him, so he tip-toed
across the room.
"You better come with me back of the bar."
"No, thanks," said the drummer, perspiring. "I'd rather be where I can
make a break for the back-door."
Whereupon the man of bottles made a kindly but peremptory gesture.
The drummer obeyed it, and finding himself seated on a box, with his
head below the level of the bar, balm was laid upon his soul at sight
of various zinc and copper fittings that bore a resemblance to plate
armour. The bar-keeper took a seat comfortably upon an adjacent box.
"You see," he whispered, "this here Scratchy Wilson is a wonder with a
gun--a perfect wonder--and when he goes on the war-trail, we hunt our
holes--naturally. He's about the last one of the old gang that used
to hang out along the river here. He's a terror when he's drunk. When
he's sober he's all right--kind of simple--wouldn't hurt a fly--nicest
fellow in town. But when he's drunk--whoo!"
There were periods of stillness.
"I wish Jack Potter was back from San Anton'," said the bar-keeper. "He
shot Wilson up once--in the leg--and he would sail in and pull out the
kinks in this thing."
Presently they heard from a distance the sound of a shot, followed
by three wild yells. It instantly removed a bond from the men in the
darkened saloon. There was a shuffling of feet. They looked at each
other.
"Here he comes," they said.
III
A man in a maroon-coloured flannel shirt, which had been purchased for
purposes of decoration, and made, principally, by some Jewish women
on the east side of New York, rounded a corner and walked into the
middle of the main street of Yellow Sky. In either hand the man held
a long, heavy blue-black revolver. Often he yelled, and these cries
rang through a semblance of a deserted village, shrilly flying over
the roofs in a volume that seemed to have no relation to the ordinary
vocal strength of a man. It was as if the surrounding stillness formed
the arch of a tomb over him. These cries of ferocious challenge rang
against walls of silence. And his boots had red tops with gilded
imprints, of the kind beloved in winter by little sledging boys on the
hillsides of New England.
Public-domain text, read in full here on John Shaqi.
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