Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
Presently there came the spectacle of a man churning himself into
deepest rage over the immobility of a house. He fumed at it as the
winter wind attacks a prairie cabin in the north. To the distance there
should have gone the sound of a tumult like the fighting of two hundred
Mexicans. As necessity bade him, he paused for breath or to reload his
revolvers.
IV
Potter and his bride walked sheepishly and with speed. Sometimes they
laughed together shamefacedly and low.
"Next corner, dear," he said finally.
They put forth the efforts of a pair walking bowed against a strong
wind. Potter was about to raise a finger to point the first appearance
of the new home, when, as they circled the corner, they came face to
face with a man in a maroon-coloured shirt, who was feverishly pushing
cartridges into a large revolver. Upon the instant the man dropped this
revolver to the ground, and, like lightning, whipped another from its
holster. The second weapon was aimed at the bridegroom's chest.
There was a silence. Potter's mouth seemed to be merely a grave for his
tongue. He exhibited an instinct to at once loosen his arm from the
woman's grip, and he dropped the bag to the sand. As for the bride, her
face had gone as yellow as old cloth. She was a slave to hideous rites,
gazing at the apparitional snake.
The two men faced each other at a distance of three paces. He of the
revolver smiled with a new and quiet ferocity. "Tried to sneak up on
me!" he said. "Tried to sneak up on me!" His eyes grew more baleful. As
Potter made a slight movement, the man thrust his revolver venomously
forward. "No; don't you do it, Jack Potter. Don't you move a finger
towards a gun just yet. Don't you move an eyelash. The time has come
for me to settle with you, and I'm going to do it my own way, and loaf
along with no interferin'. So if you don't want a gun bent on you, just
mind what I tell you."
Potter looked at his enemy. "I ain't got a gun on me, Scratchy," he
said. "Honest, I ain't." He was stiffening and steadying, but yet
somewhere at the back of his mind a vision of the Pullman floated--the
sea-green figured velvet, the shining brass, silver, and glass, the
wood that gleamed as darkly brilliant as the surface of a pool of
oil--all the glory of their marriage, the environment of the new estate.
"You know I fight when it comes to fighting, Scratchy Wilson, but I
ain't got a gun on me. You'll have to do all the shootin' yourself."
His enemy's face went livid. He stepped forward, and lashed his weapon
to and fro before Potter's chest.
"Don't you tell me you ain't got no gun on you, you whelp. Don't tell
me no lie like that. There ain't a man in Texas ever seen you without
no gun. Don't take me for no kid."
His eyes blazed with light and his throat worked like a pump.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account