The open conspiracy : $b Blue prints for a world revolutionWells, H. G. (Herbert George)
Religion
The open conspiracy : $b Blue prints for a world revolution
Wells, H. G. (Herbert George)
Social problems; Sociology; Utopias
This open and declared intention of establishing a world order out
of the present patchwork of particularist governments, of effacing
the militarist conceptions that have hitherto given governments
their typical form, and of removing credit and the broad fundamental
processes of economic life out of reach of private profit-seeking
and individual monopolisation, which is the substance of this Open
Conspiracy to which the modern religious mind must necessarily address
its practical activities, cannot fail to arouse enormous opposition.
It is not a creative effort in a clear field; it is a creative effort
that can hardly stir without attacking established things. It is
the repudiation of drift, of “leaving things alone.” It criticises
everything in human life from top to bottom and finds everything not
good enough. It strikes at the universal human desire to feel that
things are “all right.”
One might conclude, and it would be a hasty unsound conclusion, that
the only people to whom we could look for sympathy and any passionate
energy in forwarding the revolutionary change would be the unhappy, the
discontented, the dispossessed and the defeated in life’s struggle.
This idea lies at the root of the class-war dogmas of the Marxists,
and it rests on an entirely crude conception of human nature. The
successful minority is supposed to have no effective motive but a
desire to retain and intensify its advantages. A quite imaginary
solidarity to that end is attributed to it, a preposterous base class
activity. On the other hand, the unsuccessful mass--“proletariat”--is
supposed to be capable of a clear apprehension of its disadvantages,
and the more it is impoverished and embittered, the nearer draws its
uprising, its constructive “dictatorship” and the Millennium.
Public-domain text, read in full here on John Shaqi.
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