The Open Window: Tales of the MonthsWright, Mabel Osgood
General
The Open Window: Tales of the Months
Wright, Mabel Osgood
American fiction -- 20th century; Short stories, American
To be sure his claim to heroism had, so far, rested upon the fact that
both he and his vocation moved. In Hattertown very few people or things
had moved these ten years past; they had groped as being between
daylight and dark. The beginning of this twilight period was when the
trade that gave the town both its name and reason for being, owing to
change of methods and market, vanished across the low gentian meadows of
the Moosatuck to install itself anew in Bridgeton, fifteen miles away.
The empty factory, long and vainly offered for sale, became a storage
place for the hay that speculators bought on the field from the
somnolent hillside farmers and held for the winter market. At the same
time the hay gave the building a good reputation among the travelling
brotherhood of the back roads, who work a week and tramp on again (an
entirely distinct clan from the hoboes who follow the railroad through
villages and alternate thieving with stolen rides upon freight trains),
and the factory became a wayfarers’ lodging-house, until gradually the
unpainted boards turned black and the building grew hollow-eyed as its
window panes were shattered.
When man wholly forsook it, swallows and swifts brought primitive life
to it again, the one nesting against its warped rafters, the others
lining the chimney, now free from plaster and very hospitable, with
their bracketed homes, until their flocks pouring forth from its mouth
at dawn and swirling and settling at evening, seemed in the distance a
curling column of smoke.
The row of cheap wooden houses where the factory hands had lived, had
also mouldered away and joined the general ruin, only a starved
grape-vine or rose-bush telling that they had once been homes; until, at
the time I first saw the place, the most depressing of all palls seemed
over it,—the shadow of a dead industry.
It was an October morning when Lavinia Cortright and I drove up into the
hill country with father, who went to see a woman who had applied for a
free bed in the Bridgeton hospital, an aunt of Miranda Banks, she
afterward proved to be; and while father went into the little
farm-house, that had bright geraniums in the windows and wore more of a
general air of thrift than any of those we had passed in the last mile
of our uphill ride, Lavinia and I sauntered along the road and finally
settled ourselves on a tumble-down stone wall in the midst of a wild
grape-vine whose fruit was black with sun-ripeness and bore the moist
bloom of the first light frost.
As we gazed idly over the fields toward the river, that seemed, as we
looked down upon it, to filter through the glowing branches of the swamp
maples, washing their colours with it, rather than to flow between banks
of earth, we sipped the pure wild grape wine where alone it may be
found,—between the skin and pulp of the grape itself, a few drops to
each globe,—and fell to moralizing.
Public-domain text, read in full here on John Shaqi.
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