The Open Window: Tales of the MonthsWright, Mabel Osgood
General
The Open Window: Tales of the Months
Wright, Mabel Osgood
American fiction -- 20th century; Short stories, American
The Sky Line Railroad had come. Cruft’s store was rented as a temporary
station and the name Hattertown appeared in dazzling white letters on
the black sign over the door. In one room were scales for weighing
freight and a baggage truck, in the other, a ticket booth took the place
of the old post-boxes, while on a shelf behind the little window, a
telegraph instrument ticked and told the doings of the outer world to
the only man in the neighbourhood that could interpret it. Time-tables
were tacked above the two benches in a corner that made the
waiting-room, but the greatest excitement of all was contained in a
great _poster_ that was not only stuck in conspicuous places in all the
settlements along the line, but put in the mail-boxes as well,
announcing that a milk train would be run nightly, Sundays included, and
urging all farmers, if they had no milk to market, to make immediate
arrangements for producing that commodity.
The Widow Banks had three cows. A dealer in Bridgeton had tried to buy
them late in the autumn when fodder was at a premium, but she had
withstood temptation and taken the risk of wintering them; if she had
not, Miranda would never have met Jim Bradley during the negotiations
for the transportation to the city of the polished tin can that cost the
little teacher many days’ pay, and was regarded by her as a speculation
as wild and daring as any gambler staking his all on a throw of dice,
nor would this story have found its way into father’s note-book.
Jim Bradley came of good up-country stock, but the yeast of desire to
see the world had led him upon the shining road, freight brakeman first
and now conductor. Visiting New York every other day, he seemed a
travelled man of the world to Miranda, whose outside life was bounded by
two trips a year to Bridgeton and the paragraphs upon racial traits,
habits and customs, exports and imports contained in the Geography which
she had heard droned and mispronounced annually for the five seasons she
had taught at the corners.
A year had passed, and now when Jim Bradley ran his train into the
siding at Hattertown, he could not have told which light he saw first,
the railway signal or the well-trimmed lamp in the Widow Banks’ kitchen;
this light, being always kept bright and clear, was lit at sunset with
the regularity of a lighthouse beacon, the reflector improvised from a
tin plate being turned so that the welcoming rays met the milk train as
it rounded the hills and left solid ground for the trestles between
eight and half-past every evening.
Public-domain text, read in full here on John Shaqi.
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