The Open Window: Tales of the MonthsWright, Mabel Osgood
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The Open Window: Tales of the Months
Wright, Mabel Osgood
American fiction -- 20th century; Short stories, American
Somehow Miranda had never realized until now what an exasperating month
February was; formerly she had used the evenings for her spring sewing
and was really glad of the forced cessation of the small events that
made Hattertown’s social life, but now the ice crust upon the hill slope
above calf pastures made walking impossible between the house and the
station siding, so that two or three and in one week five evenings went
by and only the greeting of lantern signals passed between Jim Bradley
and Miranda.
The next afternoon on her return from school, Miranda found a letter in
the box, directed in a round, bold, and unfamiliar hand; moreover, it
was for her. Therefore, as it was a man’s writing it must be from Jim.
Instead of opening it as she walked along, half a dozen children
struggling on before or at her side, she dropped it in her pocket and
then smiled to find, a few minutes later, when she reached her gate and
needed a hand to open it with (the other carrying books) that it had
remained inside the pocket caressing the square of paper.
Widow Banks was then “accommodating” at the house of the new ticket
agent and telegraph operator, who had pneumonia, as his wife was obliged
to fill his place. The Banks’ house was empty save for the cat who
purred before the stove, there was no necessity for seeking privacy; yet
Miranda went through the kitchen and shut herself into the little storm
porch before she opened the envelope, and held the sheet close to the
single diamond pane in the outer door that she might read.
“Respected Friend—” the words ran, “This has been the deuce of a month
with ice and tie-ups. I need to see you _Special_ to-morrow night. If
the run is close so I can’t get up, I’ll fix to have Sweezy’s boy go
fetch you to the depot with a team, so come _down_ sure.
“Yours with Compliments,
“JIM BRADLEY.”
What did the _Special_ mean? Was her hero going to leave the Milk
Freight for a better job? That meant a passenger or possibly a through
train, and neither of these would pause on the side track at Hattertown.
Or—well, there was no use in guessing; “to-morrow night” was exactly
twenty-eight hours away and that was all there was to it. So Randy put
wood on the fire, skimmed a saucer of cream which she gave to the cat as
if in some way propitiating a powerful domestic idol, lit the lamp,
though it was broad daylight, and began the preparation of curling the
feathers in her best hat by holding them in the steam of the tea-kettle,
and then realized that as the morrow was Saturday, she would have plenty
of time for both housework and preparation.
* * * * *
Public-domain text, read in full here on John Shaqi.
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