The Open Window: Tales of the MonthsWright, Mabel Osgood
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The Open Window: Tales of the Months
Wright, Mabel Osgood
American fiction -- 20th century; Short stories, American
The Sweezy boy had gone up for Miranda Banks in a sleigh before eight
o’clock, and she waited patiently in the little room outside the ticket
booth, with only the two benches and the air-tight stove for company.
The natives who usually gathered at the station on winter evenings were
mostly in bed, tired out by snow shovelling, the few remaining having
collected at Sweezy’s Hotel to listen to his accounts of other February
storms he had known.
Inside the booth the sick operator’s wife, who was waiting until the
freight and express had passed safely through before closing up,
alternately dozed and started to listen to the tick-tickety-tick, that
sounded to the girl outside as mysterious as the death-watch beetle in a
wall.
Then the milk train came in. Jim Bradley crossed the little room and
inquired the whereabouts of the through express before he saw Miranda.
“I haven’t heard since Oldfield,” replied the tired woman, “but I reckon
you’re good for an hour’s holdup anyway.”
The milk supply was low that night and quickly loaded, then Jim Bradley,
throwing off his outer coat and pitching his cap at it, wholly relaxed
and stretched luxuriously on the bench behind the stove, regardless of
chilblains. For a few moments the unusually bad weather of the month,
the present storm, and various bits of local news held their attention;
then Bradley sat up erect, folded his arms, and said: “Now for my news.
No, I won’t let you guess, for if you hit it, you’d knock half the wind
out of the story. I’m promoted,—first of March I’m boss of the through
morning local No. 11 and can pick my own crew!”
Randy’s heart sank, though she knew that this meant progress. “It’s very
nice,” she stammered, looking down; “they must think a lot of you.”
“Is that all you’ve got to say about it?” and Bradley fixed his eyes
upon her face so that she could not avoid them.
“I guess so. What do you want me to say?”
“Which end of the line you’d rather live at; that’s what’s concerning me
now.”
When Jim Bradley’s arm was free once more, the breathing from the ticket
office was audible and regular, and the instrument also seemed asleep
for a time and ceased its ticking. In fifteen minutes life plans were on
their way to being settled, when in the midst of optimistic happiness
arose a ghost called Theoretical New England Conscience.
Ten long, slender fingers were linked between ten short, heavy ones,
when a few harmless words severed the conjunction. “Tell me, Jim, are
you Methodist or Congregational? Ma heard up Telford way that your uncle
on your father’s side was a Congregational preacher, and it would seem
real suitable, ’cause my father was a deacon.”
Public-domain text, read in full here on John Shaqi.
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