The Open Window: Tales of the MonthsWright, Mabel Osgood
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The Open Window: Tales of the Months
Wright, Mabel Osgood
American fiction -- 20th century; Short stories, American
For a brief second Miranda waited for another whistle. None came.
Glancing toward the station she saw a couple of lighted lanterns, one
red and one plain, that were partly hidden by a baggage truck. Seizing
one in either hand, she started down the track, springing lightly
between the ice-coated ties. When she reached the beginning of the
trestles across the low calf-pastures, she stopped long enough to shake
off her heavy cape, that risked her balance, and then flew on.
The bright starlight showed the outline of the bridge ahead, but where
was the train with its winking lights? Only one dark hump broke the
outline of the trestles. On again over the perilous ice-coated footing
that a man in daylight would have hesitated to traverse. What was that?
A cry? Yes, a halloo, repeated as continuously as breath would allow.
As the girl drew near, she saw that the obstacle in front was the
freight caboose, lying on its side on the bank at the very beginning of
the bridge, and from beside or under it, Jim Bradley’s voice was
calling.
Feeling her way more carefully now, she answered, “I’m coming, Jim;
where are you?” and finding solid earth beneath her feet once more she
crept around the end of the car.
An endless minute told it all; _something_ had caused the engine to
leave the track when halfway across the bridge, the brakes had not
answered, and the six cars had followed their leader into the river, the
caboose alone breaking free—wedging and overturning on the bridge.
Bradley had sprung from the rear steps only to be pinned fast below the
knees, body prone on the frozen earth.
“Oh, Jim! Jim! tell me what to do first! How can I get you out before it
kills you?” she cried, for though Conductor Bradley did not groan, in
spite of himself his arms would twist in his agony.
“Turn the light under here and see what holds me,” he gasped; “there’s
an axe in the caboose if it should be anything you could chop.” Then as
she started for the sidewise door he half raised himself on his elbow to
clutch her dress, and then dropped, ear to ground.
“No, don’t mind me; take that red lantern and run back as far as you can
go above the depot and signal the express—it’s coming—I can hear the
growl of it along the ground!”
“But, Jim, it can’t come this half hour yet; it was to pass you at
Bridgeton.”
“That woman operator’s made a mistake. It’s coming, I tell you, go!”
“I don’t want to leave you, Jim, I can’t,” wailed the girl.
“’Tain’t what we want, Randy, it’s what’s got to be. Go, or if you
won’t, don’t come near me, I couldn’t bear you to touch me!” and the man
threw one twisting arm across his face, for turn away he could not.
Back over trestles and track flew the girl; past the station, from which
suddenly awakened men were stumbling up the track calling; past the
overtasked wife of the station master, who was wringing her hands, but
all seemed unconscious of any danger save the wrecked freight.
Public-domain text, read in full here on John Shaqi.
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