The Open Window: Tales of the MonthsWright, Mabel Osgood
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The Open Window: Tales of the Months
Wright, Mabel Osgood
American fiction -- 20th century; Short stories, American
Helen Hasleton started to her feet, her face lowering and furious. “You
might have prevented this, it’s taking a mean advantage of me,” she
fairly hurled the words at him. “You can go upstairs, I shall stay down
here with the other women.”
Burt rose with difficulty, stiff and aching in every limb, and taking up
the candle, said, “Very well, it seems rude to leave you here among
strangers and without a bed, but under the circumstances, I can only
obey your wish.”
“Obey!” snapped the woman; “there is no such word, or if there is, I do
not understand its meaning. This morning I was to obey you. To-night you
offer at once to make a spectacle of me and obey me. Rubbish! Go back to
the car with your friends and say there was no room for you here.”
Something moved in the alcove, a long shadow fell upon the floor,
followed by the presence of a tall, clean-shaven man in the garments of
a priest, who stood for a moment looking from one to the other.
“There is a word obey, and it will always have a meaning until the world
falls apart. The question is, whom shall we obey and what,” said a deep
but quiet voice in the perfect accents of well-born speech. “If one
woman had not obeyed to-night, you two perhaps, as well as all on board
the train, would have been lying crushed or burned in the river-bed
beyond, dead, distorted, horrible! Jim Bradley, the conductor, pinned in
the wreck, was found by the woman he was to marry, frantic of course to
rescue him. He told her to leave him, to go back and save this train,
and she obeyed. They have carried him to her home and the surgeons are
at work; the end I do not know. I have left them but now, and with them
the two rites of the Church that best could help, belonging to the two
ends of life, marriage that gives her the right to care for him, and to
him the last sacrament.
“And yet you stand there, man and woman, and bicker and create falsity
from empty words, forgetting that nothing can transpose right and wrong.
Shame on you both!”
For several moments no one moved; then Hasleton replaced the candle on
the table, as he saw the outlines of the man’s face, young in spite of
gauntness and close-cropped gray hair, and in his astonishment almost
whispered, “John Anthony!”
“Father John,” corrected the voice calmly, but in a tone that forbade
further questioning, though recognition gleamed in his own eyes; for
John Anthony had been a college mate of Hasleton’s, who, though always
serious, had, ten years before, suddenly, and to the world in general
unaccountably, given up the brilliant promise of public life for the
priesthood. Two men alone knew that the first motive for his course lay
in that it was the only immovable barrier he could place between his
nature and temptation,—the mad infatuation of a beautiful married
woman, whose husband was his friend.
Public-domain text, read in full here on John Shaqi.
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