The Open Window: Tales of the MonthsWright, Mabel Osgood
General
The Open Window: Tales of the Months
Wright, Mabel Osgood
American fiction -- 20th century; Short stories, American
Any one interested in following backward the tracks these callers left
would have found that they began at the edge of the bare, drifted sand
beach and followed the wavering fence of the shore road until the
outline of that also disappearing, the footprints crossed the upland
fields to the lower end of the village street, where many of the houses,
old, sedate, and self-sufficient in their ancestry, were prouder in
their garb of mossy shingles than the Bluff cottages in all their
bravery of new paint, and porches supported by stone pillars.
Entering by the yard of one of the humbler of these houses, through the
back garden, the footsteps meandered toward the side porch that served
both as well-house and wood-shed; there the owners of the feet left a
similar burden of ducks on the well-worn oak door-sill instead of on the
door-mat, for that was thriftily housed within. To leave it out all
night would be to incur the criticism of the Misses Falcon, dealers in
village patronage and censors in chief, next door, a most disastrous
thing for the single dweller in the house, whose livelihood depended
upon the public, as announced by a quaint glass sign, lettered in black,
that filled the right-hand lower corner of the foreroom window. =C.
Hallet. Tailoring, Nursing, and Accommodating, done with Neatness and
Despatch.= The last of the three accomplishments meaning that in
the between seasons of her more serious work, Charity Hallet would
accommodate her neighbours in any way, from putting up jellies and jams
for the slothful to turning carpets, or setting a house solemnly to
rights for a funeral.
After leaving the yard, also by the back gate, that no telltale prints
might mar the plumpness of the front walk, or jar the white rime that
made mammoth cakes of the box bushes on either side the door, the
footprints took a short cut to the hill road and paused at our steps,
evidently with some scuffing and stamping, and none of the precautions
used in approaching the other door.
Here the two sets of footprints, those of dog and man, alone told of who
had come and gone, and yet we knew as plainly as if the social cardboard
had been left. The overlapping, shifty human footprints, suggesting a
limp or halting gait, were those of a rubber-booted man. The round
pad-marks of a four-foot, with a dragging trail, spoke of a dog either
old or weak in his hind quarters.
As I, answering father’s call, scanned the tracks, our eyes met and we
said, as with one voice, “The Markis and the Major,” whereby hangs a
pleasant winter’s tale. A comedy that was turned from tragedy merely by
the blowing of the bitter northeast wind among the sedge grass. A simple
enough story, like many another gleaned from between the leaves that lie
along the village fences or the lanes and byways of the lonelier hill
country.
Public-domain text, read in full here on John Shaqi.
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