The Open Window: Tales of the MonthsWright, Mabel Osgood
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The Open Window: Tales of the Months
Wright, Mabel Osgood
American fiction -- 20th century; Short stories, American
It was at one of these festivities that he first met Charity Hallet,
called in those days Cheery from her disposition that fairly bubbled
over with happiness. A fiery sort of wooing followed; that is, fiery and
unusual for a staid New England town, where sitting evening after
evening by the best room lamp or “buggy dashing” through the wild lanes
of a moonlight night or of a Sunday afternoon were considered the only
legitimate means of expression. Alack! this man possessed neither horse
nor buggy, or the means of hiring one, and the door of the Hallets’ best
room was closed to him, as well as every other door of the house. What
would you have? Swift dances snatched when some one else relieved the
fiddler; meetings by stealth in the woods, intricate journeys through
the winding marsh watercourses where, hidden by tall reeds, a duck boat
slipped in and out, holding a half-anxious, half-happy girl, while a
tall, bronzed youth either poled the craft along or sometimes pushed it
as he strode beside it waist deep in water, his eyes fixed upon the
merry ones beside him.
Of course discovery came at last, and Charity’s father sent her to spend
a winter with an aunt in another State and “finish” school there.
Meanwhile for half a dozen years the youth followed the sea and on his
return found Charity an orphan in possession of the house and a snug
income, and though she was still unmarried, a vein of prudence or a
change of heart, just as one happens to view it, had at least diluted
her romance.
“Get some employment with a name to it; I couldn’t stand an idle man
hanging about,” she had said when man and dog (there had always been and
always would be a dog following at this man’s heels) for the first time
entered the Hallet front door and prepared, without ceremony, to resume
the boy and girl footing as a matter of course.
The man, of primitive instincts and no responsibility, had looked at her
dumbly for a minute, and then the light of her meaning breaking upon him
he jumped to his feet and bringing his heels sharply together, said, “I
thought you were fond o’ me, Cheery, and that women sort o’ liked
somebody they were fond of hanging around ’em,” and without further ado
he called the dog, and closing door and gate carefully behind him,
turned from the village street to the shore road with easy, swinging
gait; but from that day his fiddle never played for the village dancers.
Public-domain text, read in full here on John Shaqi.
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