The Open Window: Tales of the MonthsWright, Mabel Osgood
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The Open Window: Tales of the Months
Wright, Mabel Osgood
American fiction -- 20th century; Short stories, American
Two more trout were caught in quick succession, then luck and the
morning turning together, the pair came out into the open fields under
the shade of a group of old willows, to free themselves of the weight of
rubber boots, and allow Eileen to rest a few moments after the rough
tramp down stream that had been half climbing and half wading.
May was withdrawing her veil, woven of apple blossoms in a green mist of
unfolding leaves, to reveal June’s young splendour, and for the two
sitting under the willows it was also early June; they were the children
of neighbours, and though their parents were of widely different
fortunes, they had been friends since Eileen had caught her first
sunfish on a pin and string arrangement, rigged by Ernest, and he, for
inattention to his lessons, had been forced to wear her pink shirred
sunbonnet at school.
Her father was a promoter and politician; his, a farmer and wagon-maker,
who, following an oft-repeated story, died just as his son had begun to
work his way through college. How often Eileen and he had planned what
he would do and be when this was accomplished, and she had done once and
for all with the city boarding school to which her mother’s, rather than
her father’s, ambition had consigned her. Now she had accomplished in a
way and returned, but for family reasons Ernest Wray, a born book-lover,
was still plodding in the old paths of his father, the wagon-maker.
“You hear the wind in the grass when you do not hear what I say,” said
Eileen, presently, in a tone half laughing, half pettish, as Ernest,
placing the creel in the water to keep the trout fresh, secured it from
floating away with a stone.
“Come and sit where you must look _at_ me and not beyond or through me,
and answer the question I asked you half an hour ago. When does the Boy
go to his mother’s people, so that you can carry out your plans?”
“Did you ask me that before?” said Ernest.
“Perhaps not in the same words, but the meaning was the same.”
“Then I did not hear you, for I thought you said _our plans_, Eileen.”
To the man, the girl stood for everything that beckoned him into the
future; to the girl, the man at this time was an indispensable comrade
when she was at home, upon whom she was eager to practise certain
school-taught theories. Her influence over him fed a growing vanity,
standing in the place of love, of which, as yet, she had really no
comprehension.
“Put it any way you choose, only tell me when you are going to send the
Boy to his relations,” she said, this time in a voice of assurance. “I
suppose it is too late now to rent the farm and sell the business before
autumn. Of course you are four years too late for college, but you might
still manage the law school. Father thinks that the trolley line through
the upper road into Bridgeton is an assured thing, and that before long
your farm could be turned into money for house lots; that is what we
mean to do with our land.”
Public-domain text, read in full here on John Shaqi.
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