The Open Window: Tales of the MonthsWright, Mabel Osgood
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The Open Window: Tales of the Months
Wright, Mabel Osgood
American fiction -- 20th century; Short stories, American
“There is one unsurmountable objection to my doing all this, Eileen,”
said Ernest, speaking slowly, that his voice might not tremble; “I am
not going to send the Boy to his mother’s people, and I hope to sell
neither the farm nor the wagon shop for many years to come.”
Eileen stared at him in speechless amazement for a moment, when a new
idea came to her.
“Then your father left more money than was supposed, so that you can
send the Boy to school and keep the place while you study, though I
don’t see why you should bother with either him or it,” she said, half
angrily. “Surely, after being tied, all your life, to this hill country,
where nothing ever happens, you must long to get away as much as I do.”
“And you wish to get away? Of course you will like to travel, but not to
go away for good? Would you like to see your homestead cut up and the
brook turned into a drain for a new village?” he asked, quickly drawing
his eyes from hers to follow the stream.
“Of course it’s a lovely old place, and I’ve had lots of good times
there, but I’ve never expected to live in Oaklands all my life. Yes, I’m
even willing to go for good and all, I think, quite for the sake of
going. You know you were to come, too, and do fine things that should
get in the newspapers. Oh, Ernest, have you forgotten all the plans we
made before they built the sawmill dam, and we used to canoe from the
Ridge falls quite down to Moosatuck?”
The momentary warmth in her voice made him flush, even as he took a new
hold on himself to keep back the words that struggled for speech.
“No, Eileen, there is no more money than people thought, nor even as
much. The farm must be worked, and the wagon shop also, to give us a
living.”
“But why should you support the Boy,” she interrupted, growing
incoherent through her disappointment, “just because your father, when
he was past sixty, chose to marry a young woman from nobody knows where,
and then both died and left the Boy, only seven years old, who has no
claim on you, to drag you down? For father told me last night what I
never knew before, that house, land, and business all came from your
mother’s people.”
The man tingled hotly to know that his neighbour had been discussing the
intricacies of his family affairs with Eileen, but in another light it
gave him comfort. Her hardness toward the Boy was undoubtedly caught
from her father, not born of her own feelings. But she, lashing herself
more and more, persisted in her question: “Why should you support the
Boy? Why do you not send him to his mother’s people, if she had any?”
Public-domain text, read in full here on John Shaqi.
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