“This letter, like the former one, cost me sixpence, including the
seal. But I did not lose my money, for, after twenty months had
passed, I received a reply in which the magistrate assured me that
the youngsters of the Rue St. Jacques were worthy of the care of the
Parisian magistrates, who would prudently watch over their safety. We
remain there. If my magistrate leaves his post I shall have to begin
all over again, and pay a shilling once more to the scrivener in the
Val-de-Grace. That is why, Monsieur Léonard, although I am firmly
convinced there are faces at the town-hall which would be better
fitted to play the buffoon at a fair, I have not the slightest desire
to see new faces there, and I particularly wish to keep him of the
fire-engine.”
“For my part,” said Catherine, “it is the _Lieutenant-Criminel_ I have
a grudge against. He allows Jeannette, the viol player, to prowl about
every day, at twilight, under the porch of St. Benoît-le-Bétourné.
It is a disgrace. She walks through the streets with a kerchief tied
round her head, and trails her dirty skirts through every gutter in the
place. The public places should be reserved for girls well turned-out
enough to show themselves with credit.”
“Oh! I reckon the pavement belongs to all the world,” said the lame
cutler. “And one of these days I shall follow the example of our
landlord, Lesturgeon, and go to the scrivener in the Val-de-Grace
to get him to draw up, in my name, a fine petition in favour of
poor hawkers. I cannot push my cart into a good position but I am
at once bothered by the police, and as soon as a lackey or a couple
of servant-girls stop at my stall, a big, black rascal turns up and
orders me, in the name of the law, to go and undo my bundle elsewhere.
Sometimes I am on ground rented by the market people, at others, I find
myself a near neighbour of Monsieur Leborgne, sworn cutler. Another
time I must yield the pavement to the carriage of a bishop or a prince.
And there I am, getting into my harness and pulling at the straps,
happy if the lackeys and the chambermaids have not carried off without
payment, profiting by my awkwardness, a needle-case, some scissors, or
a fine blade from Chatellerault. I am sick of suffering tyranny. I am
sick of experiencing the injustice of the justiciaries. I feel a great
desire to revolt.”
“I know from that sign,” said my good master, “that you are a
magnanimous cutler.”
“I am not at all magnanimous, Monsieur l’Abbé,” modestly replied the
cripple, “I am vindictive, and resentment has pushed me to sell,
in secret, songs written against the king, his mistresses, and his
ministers. I keep a fairly good assortment in the tilt of my cart. Do
not betray me. That of the twelve reed-pipes is admirable.”
Public-domain text, read in full here on John Shaqi.
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