[*] The etext may be readily converted by the reader at no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the etext (as is the case, for instance, with most word processors); OR [*] You provide, or agree to also provide on request at no additional cost, fee or expense, a copy of the etext in its original plain ASCII form (or in EBCDIC or other equivalent proprietary form). [2] Honor the etext refund and replacement provisions of this “Small Print!” statement. [3] Pay a trademark license fee to the Project of 20% of the gross profits you derive calculated using the method you already use to calculate your applicable taxes. If you don’t derive profits, no royalty is due. Royalties are payable to “Project Gutenberg Literary Archive Foundation” the 60 days following each date you prepare (or were legally required to prepare) your annual (or equivalent periodic) tax return. Please contact us beforehand to let us know your plans and to work out the details. WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON’T HAVE TO? The Project gratefully accepts contributions of money, time, public domain etexts, and royalty free copyright licenses. If you are interested in contributing scanning equipment or software or other items, please contact Michael Hart at: hart@pobox.com *END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.07.00*END* This etext was prepared by Scanned by jcbyers@capitalnet.com, typed and Proofread by LMShaf@aol.com The Orange Fairy Book Edited by Andrew Lang Preface The children who read fairy books, or have fairy books read to them, do not read prefaces, and the parents, aunts, uncles, and cousins, who give fairy books to their daughters, nieces, and cousines, leave prefaces unread. For whom, then, are prefaces written? When an author publishes a book ‘out of his own head,’ he writes the preface for his own pleasure. After reading over his book in print--to make sure that all the ‘u’s’ are not printed as ‘n’s,’ and all the ‘n’s’ as ‘u’s’ in the proper names--then the author says, mildly, in his preface, what he thinks about his own book, and what he means it to prove--if he means it to prove anything--and why it is not a better book than it is. But, perhaps, nobody reads prefaces except other authors; and critics, who hope that they will find enough in the preface to enable them to do without reading any of the book. This appears to be the philosophy of prefaces in general, and perhaps authors might be more daring and candid than they are with advantage, and write regular criticisms of their own books in their prefaces, for nobody can be so good a critic of himself as the author--if he has a sense of humour. If he has not, the less he says in his preface the better.