London (England) -- History -- 18th century -- Fiction
The court, I say, was crowded. Behind the chairs of the Lord Mayor and
Judge, the Aldermen and the Sheriffs, were other chairs filled with
great ladies: the public gallery was also filled with ladies who were
admitted by tickets issued by sheriffs: the entrances and doorways and
the body of the court were filled with gentlemen, actors and actresses
mixed with an evil-looking and evil-smelling company from St. Giles's.
The witnesses, among whom I failed to observe the revengeful woman,
consisted, I was pleased to see, of no more than the two or three
shopkeepers who were waiting to swear to their own property. They stood
beside the witness-box, wearing the look of determined and pleased
revenge common to those who have been robbed. The Jury were sworn one
after the other, and took their seats. I could not fail to observe that
the unrelenting faces with which they had received me, the highwayman,
were changed into faces of sweet commiseration. If ever Jury betrayed by
outward signs a full intention, beforehand, of bringing in a verdict of
Not Guilty, with the addition, if the Judge would allow it, that the
lady left the dock without a blemish upon her character, it was that
jury--yet a jury composed entirely of persons engaged in trade, who
would naturally be severe upon the crime of receiving stolen goods.
When the Court were ready to take their places the prisoner was brought
in, and all the people murmured with astonishment and admiration and
pity, for the prisoner was dressed as for her wedding day. She was all
in white without a touch of any other colour. Her lovely fair hair was
dressed without powder over a high cushion with white silk ribbons
hanging to her shoulders: her white silk frock drawn back in front,
showed a white satin petticoat: white silk gloves covered her hands and
arms: she carried a nosegay of white jonquils: a necklace of pearls hung
round her neck: her belt was of worked silver. She took her place in the
dock: she disposed her flowers between the spikes, among the sprigs of
rue. Her air was calm and collected: not boastful: sad as was natural:
resigned as was becoming: neither bold nor shrinking: there was no
affectation of confidence nor any agitation of terror. She was like a
Queen: she was full of dignity. She seemed to say, 'Look at me, all of
you. Can you believe that I--I--I--such as I--Jenny Wilmot--could
actually stoop to receive a lot of stolen rags and old petticoats and
bales of stuff worth no more altogether than two or three guineas?'
Public-domain text, read in full here on John Shaqi.
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