The orchestra and its instrumentsSingleton, Esther
History
The orchestra and its instruments
Singleton, Esther
Instrumentation and orchestration -- History; Musical instruments; Orchestra
Here come the Violins. They all sit in a group together. These in front
of us and on the left of the Conductor’s stand are the First Violins;
these on the right of the Conductor’s stand are the Second Violins. These
ten men who seem to carry very large violins are the Violas and they are
taking their seats by the side of the Second Violins. Opposite them ten
Violoncellos are taking their seats by the side of the First Violins.
Behind the Violoncellos stand the Double-Basses.
In the meanwhile, the players of the Woodwind have entered and have
seated themselves in a row facing the Conductor,—the Clarinets by the
Violas; then the Oboe and Cor Anglais (English Horn); and then the
Flutes. Behind the Flutes are the Bassoons; and behind the Oboes and
Clarinets are the French Horns. In the back row are Trombones, Trumpets,
Drums, Triangle, Cymbals and other Percussion instruments. On the right,
behind the First Violins, is the Harp.
They are all here now, each instrument in its own group, or family.
We cannot understand what any great city is like if we do not know
something about the people who compose that city. Take New York, for
instance; or London, or Paris, or Boston, or Washington, or Chicago, or
San Francisco. Each city has a personality of its own; and so we speak of
New York, or London, or Paris, or Boston, or Washington, just as if we
were talking of an individual.
It is exactly the same with an Orchestra. Though composed of a collection
of individual instruments, the Orchestra has an individual character of
its own. It is a _personality_ that speaks to us in the beautiful and
inspiring language of music; and, therefore, after we learn about the
instruments and what part each instrument has to play in forming this
little orchestral city, as it were, we shall then turn our thoughts to
the Orchestra itself.
The Orchestra is composed of three groups, or families, and one accessory
group. Each of these three groups forms a choir of its own, of four
parts,—soprano, alto, tenor and bass.
The most important group is that of the stringed instruments, or
“Strings,” as this family is called. The Violins sing the soprano;
the Violas, the alto, or tenor; the Violoncellos, the bass; and the
Double-Basses, the deeper bass. All of the “Strings” are played with the
bow.
The family next in importance is the “Woodwind,”—instruments consisting
of a long tube made of wood through which the performer blows. Some of
these are held horizontally, others longitudinally. These also play in
four-part harmony, as it is called,—soprano, alto, tenor and bass.
The Brasswind family comprises the Horns, the Trumpets and Trombones.
It forms another set of four voices—soprano, alto, tenor and bass. The
performers blow through the tubes of these instruments. These instruments
are usually spoken of as the “Brass.”
Public-domain text, read in full here on John Shaqi.
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