Authors, American -- 19th century -- Biography; Twain, Mark, 1835-1910
Joseph Twitchell, whose companionship the dominant Mark Twain called,
and with reason, for he seems to have been the most lovable of men, "a
companionship which to me stands first after Livy's." Similarly, when he
roars and rages against the novels of Jane Austen we can see that buried
self taking vengeance upon Mr. Howells, with whom Jane Austen was a
prime passion who had even taken Jane Austen as a model.
We know the constraint to which he submitted as regards religious
observances. "And once or twice," he writes, "I smouched a Sunday when
the boss wasn't looking. Nothing is half so good as literature hooked
on Sunday, on the sly." Does it not explain the bitter animus that lies
behind his comical complaint of George W. Cable, when the two were
together on a lecture tour?--"You will never, never know, never divine,
guess, imagine, how loathsome a thing the Christian religion can be made
until you come to know and study Cable daily and hourly.... He has
taught me to abhor and detest the Sabbath-day and hunt up new and
troublesome ways to dishonor it." Habitually, as we have seen, he spoke
of himself in public as a Presbyterian, as "Twitchell's parishioner."
His buried self redressed the balance in a passionate admiration for
Robert Ingersoll, the atheist. "Thank you most heartily for the books,"
he writes to Ingersoll in 1879. "I am devouring them--they have found a
hungry place, and they content it and satisfy it to a miracle." What, in
fact, were the books he loved best? We find him reading Andrew D.
White's "Science and Religion," Lecky's "European Morals" and similar
books of a rationalistic tendency. But his favorite authors--after
Voltaire, whom he had read as a pilot--were Pepys, Suetonius and
Saint-Simon. Saint-Simon's "Memoirs" he said he had read twenty times,
and we gather that he almost learned by heart Suetonius's record of "the
cruelties and licentiousness of imperial Rome." Why did he take such
passionate pleasure in books of this kind, in writers who had so freely
"spoken out." Hear what he says in 1904 regarding his own book, "What Is
Man?"--"Am I honest? I give you my word of honor (privately) I am not.
For seven years I have suppressed a book which my conscience tells me I
ought to publish. I hold it a duty to publish it. There are other
difficult tasks I am equal to, but I am not equal to that one." And when
at last he did publish it, anonymously, it was with this foreword:
"Every thought in them [these papers] has been thought (and accepted as
unassailable truth) by millions upon millions of men--and concealed,
kept private. Why did they not speak out? Because they dreaded (_and
could not bear_) the disapproval of the people around them. Why have not
I published? The same reason has restrained me, I think. I can find no
other." There we see, in all its absolutism, the censorship under which
his creative self was laboring. One can easily understand his love for
Public-domain text, read in full here on John Shaqi.
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