Authors, American -- 19th century -- Biography; Twain, Mark, 1835-1910
And what, specifically, was it that she
punished? Those furtive dealings of Huck and Tom with whitewash and
piracy were nothing in the world--and that is why all the world loves
them--but the first stirrings of the normal æsthetic sense, the first
stirrings of individuality.
Already I think we divine what was bound to happen in the soul of Mark
Twain. The story of "Huckleberry Finn" turns, as we remember, upon a
conflict: "the author," says Mr. Paine, "makes Huck's struggle a
psychological one between conscience and the law, on one side, and
sympathy on the other." In the famous episode of Nigger Jim, "sympathy,"
the cause of individual freedom, wins. Years later, in "The Mysterious
Stranger," Mark Twain presented the parallel situation we noted in the
last chapter: "we found," says the boy who tells that story, "that we
were not manly enough, nor brave enough to do a generous action when
there was a chance that it could get us into trouble." Conscience and
the law, we see, had long since prevailed in the spirit of Mark Twain,
but what is the conscience of a boy who checks a humane impulse but "boy
terror," as Mr. Paine calls it, an instinctive fear of custom, of tribal
authority? The conflict in "Huckleberry Finn" is simply the conflict of
Mark Twain's own childhood. He solved it successfully, he fulfilled his
desire, in the book, as an author can. In actual life he did not solve
it at all; he surrendered.
Turn to the record in Mr. Paine's biography. We find Mark Twain in
perpetual revolt against all those institutions for which his mother
stood. "Church ain't worth shucks," says Tom Sawyer. As for school, "he
never learned to like it. Each morning he went with reluctance and
remained with loathing--the loathing which he always had for anything
resembling bondage and tyranny or even the smallest curtailment of
liberty." One recalls what Huck said of Aunt Polly just before he made
his escape to the woods:
"Don't talk about it, Tom. I've tried it and it don't work;
it don't work, Tom. It ain't for me; I ain't used to it. The
widder's good to me, and friendly; but I can't stand them
ways. She makes me git up just at the same time every
morning; she makes me wash, they comb me all to thunder; she
won't let me sleep in the woodshed; I got to wear them
blamed clothes that just smothers me, Tom; they don't seem
to any air get through 'em somehow, and they're so rotten
nice that I can't set down, nor lay down, nor roll around
anywher's; I hain't slid on a cellar-door for--well, it
'pears to be years; I got to go to church and sweat and
sweat--I hate them ornery sermons! I can't ketch a fly in
there, I can't chaw, I got to wear shoes all Sunday. The
widder eats by a bell; she goes to bed by a bell; she gits
up by a bell--everything's so awful reg'lar a body can't
stand it."
Public-domain text, read in full here on John Shaqi.
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