The Ordeal of Richard Feverel: A History of a Father and SonMeredith, George
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The Ordeal of Richard Feverel: A History of a Father and Son
Meredith, George
Domestic fiction; England -- Fiction; Fathers and sons -- Fiction
Strange, that now she was released she should linger by him.
Strange, that his audacity, instead of the executioner, brought
blushes and timid tenderness to his side, and the sweet words, "You
are not angry with me?"
"With you, O Beloved!" cried his soul. "And you forgive me, fair
charity!"
"I think it was rude of me to go without thanking you again," she
said, and again proffered her hand.
The sweet heaven-bird shivered out his song above him. The gracious
glory of heaven fell upon his soul. He touched her hand, not moving
his eyes from her, nor speaking, and she, with a soft word of
farewell, passed across the stile, and up the pathway through the
dewy shades of the copse, and out of the arch of the light, away
from his eyes.
* * * * *
And away with her went the wild enchantment. He looked on barren
air. But it was no more the world of yesterday. The marvellous
splendours had sown seeds in him, ready to spring up and bloom at
her gaze; and in his bosom now the vivid conjuration of her tones,
her face, her shape, makes them leap and illumine him like fitful
summer lightnings--ghosts of the vanished sun.
There was nothing to tell him that he had been making love and
declaring it with extraordinary rapidity; nor did he know it. Soft
flushed cheeks! sweet mouth! strange sweet brows! eyes of softest
fire! how could his ripe eyes behold you, and not plead to keep you?
Nay, how could he let you go? And he seriously asked himself that
question.
To-morrow this place will have a memory--the river and the meadow,
and the white falling weir: his heart will build a temple here; and
the skylark will be its high-priest, and the old blackbird its
glossy-gowned chorister, and there will be a sacred repast of
dewberries. To-day the grass is grass: his heart is chased by
phantoms and finds rest nowhere. Only when the most tender freshness
of his flower comes across him does he taste a moment's calm; and no
sooner does it come than it gives place to keen pangs for fear that
she may not be his for ever.
Erelong he learns that her name is Lucy. Erelong he meets Ralph, and
discovers that in a day he has distanced him by a sphere. He and
Ralph and the curate of Lobourne join in their walks, and raise
classical discussions on ladies' hair, fingering a thousand
delicious locks, from those of Cleopatra to the Borgia's. "Fair!
fair! all of them fair!" sighs the melancholy curate, "as are those
women formed for our perdition! I think we have in this country what
will match the Italian or the Greek." His mind flutters to Mrs.
Doria, Richard blushes before the vision of Lucy, and Ralph, whose
heroine's hair is a dark luxuriance, dissents, and claims a noble
share in the slaughter of men for dark-haired Wonders. They have no
mutual confidences, but they are singularly kind to each other,
these three children of instinct.
CHAPTER XVI
UNMASKING OF MASTER RIPTON THOMPSON
Public-domain text, read in full here on John Shaqi.
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