The Ordeal of Richard Feverel: A History of a Father and SonMeredith, George
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The Ordeal of Richard Feverel: A History of a Father and Son
Meredith, George
Domestic fiction; England -- Fiction; Fathers and sons -- Fiction
"You've been there this morning?" Ripton exclaimed; and an idea of
what love was dawned upon his dull brain.
"Will she see me, Ricky?"
"Yes. She'll see you to-day. She was tired last night."
"Positively?"
Richard assured him that the privilege would be his.
"Here," he said, coming under some trees in the park, "here's where
I talked to you last night. What a time it seems! How I hate the
night!"
On the way, that Richard might have an exalted opinion of him,
Ripton hinted decorously at a somewhat intimate and mysterious
acquaintance with the sex. Headings of certain random adventures he
gave.
"Well!" said his chief, "why not marry her?"
Then was Ripton shocked, and cried, "Oh!" and had a taste of the
feeling of superiority, destined that day to be crushed utterly.
He was again deposited in Mrs. Berry's charge for a term that caused
him dismal fears that the Fair Persian still refused to show her
face, but Richard called out to him, and up Ripton went, unaware of
the transformation he was to undergo. Hero and Beauty stood together
to receive him. From the bottom of the stairs he had his vivaciously
agreeable smile ready for them, and by the time he entered the room
his cheeks were painfully stiff, and his eyes had strained beyond
their exact meaning. Lucy, with one hand anchored to her lover,
welcomed him kindly. He relieved her shyness by looking so extremely
silly. They sat down, and tried to commence a conversation, but
Ripton was as little master of his tongue as he was of his eyes.
After an interval, the Fair Persian having done duty by showing
herself, was glad to quit the room. Her lord and possessor then
turned inquiringly to Ripton.
"You don't wonder now, Rip?" he said.
"No, Richard!" Ripton waited to reply with sufficient solemnity,
"indeed I don't!"
He spoke differently; he looked differently. He had the Old Dog's
eyes in his head. They watched the door she had passed through; they
listened for her, as dogs' eyes do. When she came in, bonneted for a
walk, his agitation was dog-like. When she hung on her lover
timidly, and went forth, he followed without an idea of envy, or
anything save the secret raptures the sight of her gave him, which
are the Old Dog's own. For beneficent Nature requites him. His
sensations cannot be heroic, but they have a fulness and a wagging
delight as good in their way. And this capacity for humble
unaspiring worship has its peculiar guerdon. When Ripton comes to
think of Miss Random now, what will he think of himself? Let no one
despise the Old Dog. Through him doth Beauty vindicate her sex.
Public-domain text, read in full here on John Shaqi.
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