The Ordeal of Richard Feverel: A History of a Father and SonMeredith, George
General
The Ordeal of Richard Feverel: A History of a Father and Son
Meredith, George
Domestic fiction; England -- Fiction; Fathers and sons -- Fiction
It did not please Ripton that others should have the bliss of
beholding her, and as, to his perceptions, everybody did, and
observed her offensively, and stared, and turned their heads back,
and interchanged comments on her, and became in a minute madly in
love with her, he had to smother low growls. They strolled about the
pleasant gardens of Kensington all the morning, under the young
chestnut buds, and round the windless waters, talking, and soothing
the wild excitement of their hearts. If Lucy spoke, Ripton pricked
up his ears. She, too, made the remark that everybody seemed to look
happy, and he heard it with thrills of joy. "So everybody is, where
you are!" he would have wished to say, if he dared, but was
restrained by fears that his burning eloquence would commit him.
Ripton knew the people he met twice. It would have been difficult to
persuade him they were the creatures of accident.
From the Gardens, in contempt of Ripton's frowned protest, Richard
boldly struck into the park, where solitary carriages were beginning
to perform the circuit. Here Ripton had some justification for his
jealous pangs. The young girl's golden locks of hair; her sweet, now
dreamily sad, face; her gentle graceful figure in the black straight
dress she wore; a sort of half-conventional air she had--a mark of
something not of class, that was partly beauty's, partly maiden
innocence growing conscious, partly remorse at her weakness and dim
fear of the future it was sowing--did attract the eye-glasses.
Ripton had to learn that eyes are bearable, but eye-glasses an
abomination. They fixed a spell upon his courage; for somehow the
youth had always ranked them as emblems of our nobility, and hearing
two exquisite eye-glasses, who had been to front and rear several
times, drawl in gibberish generally imputed to lords, that his
heroine was a charming little creature, just the size, but had no
style,--he was abashed; he did not fly at them and tear them. He
became dejected. Beauty's dog is affected by the eye-glass in a
manner not unlike the common animal's terror of the human eye.
Richard appeared to hear nothing, or it was homage that he heard. He
repeated to Lucy Diaper Sandoe's verses--
"The cockneys nod to each other aside,
The coxcombs lift their glasses,"
and projected hiring a horse for her to ride every day in the park,
and shine among the highest.
Public-domain text, read in full here on John Shaqi.
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